Silent

THE GEORGETOWN LOOP
(Ken Jacobs, 1996, 11m, widescreen 35mm film, black and white, silent)

Originally photographed in 1903, US Library of Congress collection. New arrangement in 1996 by Ken Jacobs, assisted by Florence Jacobs. 35mm optical rephotography by Sam Bush, Western Cine, Denver.

I’ve been raiding the Paper Print Collection of the Library Of Congress in Washington, DC, since the late 1960s with TOM, TOM, THE PIPER’S SON. It’s a preserve of early cinema. Until 1912, in order to copyright film, one deposited with the library a positive from the negative printed on paper, unprojectable, but – unlike nitrate prints – capable of weathering the years without Crumbling into chemical volatility. And there the stacks rested, safely out of mind, hundreds and hundreds of silent rolls most less than 30 meters, many Edisons, American Mutoscope And Biograph, Gaumont, Lubin, Vitagraph ; cine-snatches of life as it was lived, vaudevillians, proto-dramas, and too many state parades.Read More »

quote:
Stage play directed by Berthold Brecht, filmed by Carl Koch, about a civilian who is press-ganged into a machine-gunner’s squadron and transformed into the perfect soldier.

Man is Man, a tragi-comedy written in 1927, a work of Brecht’s youth that marks his entry into epic theatre. How can Man manage to adapt to all the different roles that the industrial society of the 20th Century demands, in an apparently intransigent call for change ? Galy Gay is this unorthodox hero who starts out as a messenger and becomes an active soldier under nauseating pressure from dubious soldiers. French critic Bernard Dort noted that the construction and dismantling of Widow Begbick’s refreshments carriage in this play take place at the same time as the transformation of Galy Gay into Jeramiah Jip. The mobility of the location, theatrically points to the instability of the characters in the epic form. Thomas Ostermeier seized upon the theme of deconstruction, and has his actors play furiously with the different states of reality.Read More »

Quote:
A Tom Tom Chaser is Jacobs’ 2002 poetic riff on the transformation of his classic film Tom Tom the Piper’s Son from chemical to electronic form during the telecine process.Read More »

Unfinished documentary about the “March of the 100,000”, driven by the student movement against brazilian dictatorship in 1968. Glauber directed with “Antonio das Mortes'” cinematographer, Affonso Beatto. A mysterious film.Read More »

A powerful and utterly brutal Soviet propaganda broadside levelled at the Catholic church.
Compelling in its prolific use of facial close-up shots.

Cast note:
Krest I Mauzer marks the first film appearance of; Nikolay Kutuzov, who would later appear in Tarkovskys Andrei Rublev (1966) and in the film Viy (1967) and Alexei Pirogov, who would go on to become a Bolshoi soloist (1931-48).Read More »

Quote:
The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience’s sense of gravity. The camera’s movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice. –K. J.Read More »

Synopsis
Documentary about the bullfighter ‘José Gómez’ alias ‘Joselito’, who died in the bull ring of Talavera de la Reina.
(imdb)Read More »

Synopsis:
Fridrikh Ermler’s last silent feature, Fragment of an Empire, tells the story of a Russian non-commissioned officer, Ivan Filimonov (Fyodor Nikitin), who was shell-shocked, thought to be dead in the First World War and in loss of memory. Filimonov regains his memory in 1928, ten years after the Russian Revolution. Determined to find his wife and get his job back, he goes home to Saint Petersburg only to find out that his wife has remarried and his former employer has been replaced by a factory committee. The Saint Petersburg that he used to know also does not exist anymore. Renamed Leningrad and deprived of its status as capital, the city with its monumental buildings and statues of Lenin is foreign to Filimonov as is everything else in this new world created by the 1917 Revolution. As time goes by, however, he learns to appreciate the new ways. Although he is not reunited with his wife, he regains full control of his life. At the end of the film, Filimonov breaks the fourth wall and addresses the audience directly as he declares, in true Soviet propaganda fashion: “There is still much work to be done!”Read More »

An army pilot is on a visit at the home of another army pilot in the neighboured country. He falls in love with his sister. After the outbreak of a war between the two countries, her brother is killed by her friend in a battle, he is killed by some friends of her brother. She engages her with her brother’s friend who was there, but then she finds out about that battle.Read More »