Weimar Republic cinema

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The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.Read More »

Talented Anny returns to her struggling family which run a little venue at the town fair. She not only enchants artist Hannes and singer Ordini but also agent Horbes who hires them for the celebrated Apollo theatre in Berlin.Read More »

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“When humanity, subjugated by the terror of crime, has been driven insane by fear and horror, and when chaos has become supreme law, then the time will have come for the empire of crime.”Read More »

Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the substance for one of the most adventurous films of the German silent cinema.Read More »

The film follows two mountain enthusiasts, battling through a glacier areain the Swiss mountains, the sublime beauty of the film is effectively staged.The attention will be paid equally to the contemplation of nature, such as theMountain sports on his then latest technical standard And it&’s also about a newform of natural experience thanks to the film and cinema technology that enablesa wide audience to look at then still little-known mountain tops for the first timeRead More »

Leni Riefenstahl made her film debut in this “mountain film” by writer/director Arnold Fanck, and went on to appear in five more under his direction. In Der Heilige Berg she plays the professional dancer Diotima who finds herself the apex of a love triangle when she is pursued by two mountain climbers, Vigo (Ernst Petersen) and his unnamed older friend (Luis Trenker). Diotima is drawn to the elder climber but can’t refrain from encouraging Vigo’s attentions as well in a spirited skiing session. She has a moment of intimacy with Vigo, and when the friend sees them together he angrily challenges Vigo to a dangerous climbing tour. During the trek he causes Vigo to fall but repents and rescues him. Both men, however, soon become lost in the mountains, and they perish before Diotima and the rescue team can reach them.Read More »

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If you’ve read the book, this film version comes as a surprise – how does it manage to make so little of so much? Or is it so much of so little? Döblin co-authored the screenplay, which compresses his sprawling novel into a breathless eighty-eight minutes. Of course, much is sacrificed, but the skeleton plot still compares favourably to that of many modern movies. Technically, too, this flick has aged magnificently – considering this is one of the first German films with sound, what we see and hear is a lot smoother than I’d expected. The cinematography is astonishing by the standards of the decades that followed…Read More »

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In Nerven, writer-director-producer Robert Reinert tried to capture the “nervous epidemic” caused by war and misery which “drives people mad”. This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.Read More »

Waterloo is a German made movie that depicts the soldiers of Belgium + The Netherlands; Brunswick; England, Ireland, Scotland + Wales; Hanover; Nassau; and Prussia’s victory over Napoleon at the Battle of Waterloo in 1815.Read More »