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A Japanese businessman is sent to Sri Lanka and meets a beautiful Japanese woman with a past. They befriend an old Japanese-Indian widow who has an estranged son in Japan.Read More »
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A Japanese businessman is sent to Sri Lanka and meets a beautiful Japanese woman with a past. They befriend an old Japanese-Indian widow who has an estranged son in Japan.Read More »
Out for revenge after waking up in the trunk of a car, a female thug teams up with an abused prostitute to steal a bag of cash from the Yakuza.Read More »
Oracion is a racehorse purchased by a businessman in financial trouble. He believes the horse will win the upcoming Japan Derby and solve his monetary woes.Read More »
letterboxd:
In late 1940 the Japanese were anxious to conclude peace in China and to that end sent Colonel Hidaka to inaugurate negotiations. He was mysteriously assassinated, however, when his car was blown up. The General Staff Headquarters in Japan, sends Lieutenant Shiina, a graduate of the famed Nakano School of Spies inaugurated by Colonel Kusanagi, to investigate the matter. Arriving in Shanghai, he disguises himself as a Chinese coolie and sets out to watch for developments, the only clue being a silver dollar found beside what was left of the victim.Read More »
Hayashida Gisuke is illegal dentist during the day and a burglar by night. One night during the burglary he becomes a witness of derailment. Later some commies were found guilty in this incident, but he know it wasn’t they. He can save innocent people but for that he must confess his own crime.Read More »
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Like that famous saying, Tan Chui Mui speaks softly, but she carries a big stick. Her films are quiet little affairs, but boy, do they pack an emotional wallop. She has a knack for easing you into a situation, and getting you deeply involved with her characters. I liken it to Nabokov, who can say a thousand things in one sentence. Tan can create such emotional push-and-pull between her characters without them saying much. It’s all in the doing, not the uttering. Show, not tell. And she does it beautifully.Read More »
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In 1954, Go Akuzu (Ken Takakura) travels to the Tsuruga Straits that separate Japan’s northernmost island of Hokkaido from the main island of Honshu, to investigate the tragic loss of a passenger ship in the treacherous waters of the straits. His solution to the marine dangers is to first advocate and then get a green light on building an underground tunnel to handle the inter-island traffic. His devotion to keeping the 25-year project on target leads to a separation from his wife, and a certain amount of loneliness — until he helps Tae Makimura (Sayuri Yoshinaga) get a job at a local restaurant. Read More »
Criterion’s title for this film is “You Were Like a Wild Chrysanthemum.”
From the Film Society of Lincoln Center’s “Films of Keisuke Kinoshita” program notes:
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Masao (Ozu regular Chishu Ryu) returns to his hometown after a successful career in business; the visit prompt memories of the time right before he left to study, when as a young man he fell in love with Tamiko, a beautiful, high-spirited young woman who also loved him but whom he was forbidden to marry as his family—and especially his mother—already had plans for him. Kinoshita brilliantly captures the flush of young love, played out against stunning landscapes—a love made all the more poignant as we know it will remain unrequited. Film scholar Donald Richie called it “one of the most nostalgically beautiful of Kinoshita’s films.”Read More »
A young woman fends off a series of aggressive marriage proposals from a man who committed atrocities during World War II.Read More »