A powerful and utterly brutal Soviet propaganda broadside levelled at the Catholic church.
Compelling in its prolific use of facial close-up shots.
Cast note:
Krest I Mauzer marks the first film appearance of; Nikolay Kutuzov, who would later appear in Tarkovskys Andrei Rublev (1966) and in the film Viy (1967) and Alexei Pirogov, who would go on to become a Bolshoi soloist (1931-48).Read More »
Quote:
The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience’s sense of gravity. The camera’s movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice. –K. J.Read More »
Synopsis
Documentary about the bullfighter ‘José Gómez’ alias ‘Joselito’, who died in the bull ring of Talavera de la Reina.
(imdb)Read More »
Synopsis:
Fridrikh Ermler’s last silent feature, Fragment of an Empire, tells the story of a Russian non-commissioned officer, Ivan Filimonov (Fyodor Nikitin), who was shell-shocked, thought to be dead in the First World War and in loss of memory. Filimonov regains his memory in 1928, ten years after the Russian Revolution. Determined to find his wife and get his job back, he goes home to Saint Petersburg only to find out that his wife has remarried and his former employer has been replaced by a factory committee. The Saint Petersburg that he used to know also does not exist anymore. Renamed Leningrad and deprived of its status as capital, the city with its monumental buildings and statues of Lenin is foreign to Filimonov as is everything else in this new world created by the 1917 Revolution. As time goes by, however, he learns to appreciate the new ways. Although he is not reunited with his wife, he regains full control of his life. At the end of the film, Filimonov breaks the fourth wall and addresses the audience directly as he declares, in true Soviet propaganda fashion: “There is still much work to be done!”Read More »
An army pilot is on a visit at the home of another army pilot in the neighboured country. He falls in love with his sister. After the outbreak of a war between the two countries, her brother is killed by her friend in a battle, he is killed by some friends of her brother. She engages her with her brother’s friend who was there, but then she finds out about that battle.Read More »
Quote:
Mr. West was the first feature film that Kuleshov made with a team of actors who had attended his Experimental Cine-Laboratory. For four years, this group had been doing preparatory work as they planned to reform the art of cinema with an eye on montage. Yet, for a long time, their ideas remained dry theory, because the workshop lacked resources to make films. The focus of the Cine-Lab’s practice was on acting études. Details of scenes were story-boarded, photographed, or “framed” by special viewfinders in order to visualize how they might look in an edited film sequence. Thanks to these exercises, the notion of montage that Kuleshov developed was inextricably linked to his ideas on acting and shot composition. Read More »
Kentucky Pride is a 1925 American silent drama film from Fox Film about the life of a horse breeder and racer, directed by John Ford and starring Henry B. Walthall (who had previously played the Little Colonel in D. W. Griffith’s The Birth of a Nation). It is among Ford’s lesser-known works, but has been praised for sweetness and charm and its beautiful depiction of the life of horses and the relationship between the protagonist and his daughter. Several well-known thoroughbred racehorses appear in the film, including the legendary Man o’ War.Read More »
Plot:
Jean Valjean is a forced man who after nineteen years is released. At that time he will have to fight against society’s contempt and his fate will go through various phases, from opulence to the relentless pursuit of justice, always with the shadow of his fierce enemy, the policeman Javert, who will persecute him for more than thirty years.Read More »
Quote:
The heroine of the film is a proletarian wife and mother. Her husband, a coalminer, seeks solace in alcohol and neglects his work. After he is sacked, he spends most of his time in the pub with his friends and his lover, a waitress. He wastes the money his wife earns as a washerwoman. The woman, with her work and her worries, doesn’t even remember it is her birthday but her neighbours come to visit her to wish her happy birthday. Even this happy day ends in sadness: her husband comes home drunk. When he starts destroying their meagre furniture in a fit of rage, she throws him out. The man moves in with his lover. One day the wife badly scalds herself while washing some linen and after a few days she dies. The man comes home and prepares her a simple funeral which is attended by all the neighbours. After the funeral the husband holds a wake in the local inn. Then they all return to their homes as if nothing had happened. Such is life.Read More »