Netherlands

Quote:
10 years after the release of his epic film MAIDAN, Sergei Loznitsa resumes his Ukrainian chronicles by documenting the country’s struggle against the Russian invasion. Shot over a 2-year period, the film portrays the life of the civilian population all over Ukraine. THE INVASION presents a unique and ultimate statement of Ukrainian resilience in the face of barbaric invasion. In the second part of his Ukrainian diptych, Loznitsa paints a monumental canvas of a nation determined to defend its right to exist.Read More »

Quote:
In Ukraine, the KGB archive of countless files containing reports on covert observations has been made accessible to the public. What happens once you find out that the state has been watching you for years? Based on encounters with people who are confronted with their own surveillance reports, the film sketches a time when the paranoia of the Soviet regime infiltrated into private lives.Read More »

imdb:
Late 16th century, persecuted protestantism and general dissatisfaction with the Catholic Habsburg rule in the Netherlands lead to large-scale plundering and vandalizing of churches, only harshening the Spanish Inquisition, sparkling the Eighty Years War. Flanders, 1568: Italian minstrel Campanelli tells he followed a Dutchman, the robber of a golden chalice, but failed to prevent him being taken -after banging a country-girl- by the men of a rigid farmer Netelneck, who has him tied-up inside a huge shit-container. After Campanelli frees him, the gold stays inside, and the Dutchman is killed, but the minstrel turns to offer the paying audience a happier version. Seven years later, he scares the Dutchman’s posthumous son into bringing him food and convinces the kid he can fly, like his dad, who is on a grand ship, but fails to drag the gold out and is blinded and chased by Netelneck.Read More »

Quote:
An alcoholic writer begins having visions apparently warning him of impending danger. After he delivers a lecture, he begins an affair with a woman from the audience. The visions intensify, however, and begin to threaten his relationship with the woman, since it may be her the visions are warning against.Read More »

Spotless tells the story of 15-year old Ruby, who lives with her mother and her younger sister. Her mother works overtime to make ends meet and Ruby feels responsible for her sister. When Ruby realizes she is having her period, she notices they are out of period products. She doesn’t want to bother her mother with asking for them, because she is aware of their money problems. To make sure she doesn’t trouble anyone with her problem, she tries to solve it herself.Read More »

Synopsis:The Oscar for Glass was really the result of a film commission. I was given a commission to make an half hour film, in black and white about the glass making process. (“Over glas gesproken”, a simple, tradtitional but beautiful documentary.We came across a machine,and it was really clever, like the one with little grips that picked up a bottle and set it gently down elsewhere. Back again, another one, and that went wrong. That was funny to see, all of a sudden it was a stupid machine but for the sake of the factory I couldn’t show stupid machines. It couldn’t stay in. So I decided to make a film in colour for myself. I didn’t want any commentary in it and only jazz music played by Pim Jacobs. And that’s how it ended up.Read More »

Nederlands Film Festival wrote:
Four difficult teenagers come into conflict with their bungling parents. The battle escalates when the mother tries to seduce her daughter’s tennis teacher and the children turn the villa into a heavily armed fortress. A classic theme, the struggle between parents and children, but in this black comedy it gets completely out of hand, in an unusual and bold way, while the parents’ authority is completely undermined and they eventually come off worst.Read More »

Prolific Surinamese/Dutch director of experimental films, Pim de la Parra, has crafted an improvisational satire on the process of making experimental films, and it is particularly aimed at the Dutch avant-garde. The story puts a crew of unpaid actors and actresses together while they attempt to shoot a film in very few days with practically no budget and no script. Oddly, that is exactly the situation they were actually in. While the director’s earlier uses of this formula met with some critical success, this one was received with considerably less enthusiasm.Read More »

A slow-burning psycological drama that needs the right space and time to create an intimate relationship with the viewer and, fortunately, it delivers… ~Cineuropa

Every year, 33-year-old photographer Roos (Rifka Lodeizen) visits her mother, Louise (Elsie de Brauw), and her teenage half-brother, Bengt (Marcus Hanssen), in Norway. During this particular visit Roos is more troubled than ever…Read More »