1961-1970

Quote:
“God, why hast thou forsaken me?” With Winter Light, Ingmar Bergman explores the search for redemption in a meaningless existence. Small-town pastor Tomas Ericsson (Gunnar Björnstrand) performs his duties mechanically before a dwindling congregation, including his stubbornly devoted lover, Märta (Ingrid Thulin). When he is asked to assuage a troubled parishioner’s (Max von Sydow) debilitating fear of nuclear annihilation, Tomas is terrified to find that he can provide nothing but his own doubt. The beautifully photographed Winter Light is an unsettling look at the human craving for personal validation in a world seemingly abandoned by God.Read More »

Synopsis: Japanese sixties comedy featuring a cunning female jewel thief named Black Lizard who tries to kidnap Sanaye, a wealthy jeweler’s beautiful daughter as part of a plot to steal the jeweler’s expensive “Star of Egypt” diamond. To thwart the planned kidnapping, the jeweler hires Japan’s number one detective, the brilliant Akechi. This sets off a dual between Black Lizard and Akechi as each tries to outwit the other. In the process, the two adversaries develop a mutual respect and affection for each other. Despite Akechi’s efforts, Black Lizard and her crew are able to kidnap Sanaye and gain possession of the “Star of Egypt”. Black Lizard takes Sanaye to her secret lair on a remote island which is populated by an eerie collection of naked human dolls. There Black Lizard plans to preserve Sanaye’s beauty forever by turning her into one of her dolls. As Sanaye’s doom quickly approaches, it is up to Akechi to save the day.Read More »

Stickan is released from prison after some years behind bars. He is trying to rehabilitate to society With help from the probation officer. Then Janne ,one of his old friends from prison, come and visit him and he is full ideas of how to make money without having to work. Soon the two friends plan a bank robbery.Read More »

Synopsis
In 1940s Calabria a man unjustly accused of murder flees to the countryside and becomes an agrarian revolutionary and a bandit.A little boy grows up admiring him.Read More »

A bunch of young people get together in a sexual encounter group in a mansion on a hill so they can explore each other’s bodies and shed their carnal inhibitions.Read More »

Quote:
Caught in a web of censorship created in the 1960s Czechoslovak Communist state – which molded his experiences of delayed production and filmic content – Solan treated filmmaking as a study of cases, satirical testimonies balanced between absurdity and despair. Hence, the apparently simple tale of the rise of a man who plays the triangle in the orchestra reveals the structures and contradictions of an entire regime, just like the hulking unfinished structure that haunts the orchestra’s practices.Read More »

Four years ago, Teppei Hondo killed two people from the Shinwa group for the murder of his brother. After serving a 3-year prison sentence, he considered returning home, but his father, the boss of the Honda Group, told him to stay away for another year, so he went to sea. In the end, having returned, he again finds himself embroiled in a showdown between the yakuza.Read More »

Quote:
Home for Life depicts the experiences of two elderly people in their first month at a home for the aged. One is a woman whose struggle to remain useful in her son and daughter-in-law’s home is no longer appreciated. The other is a widower, without a family, who suddenly realizes he can no longer take care of himself. The film offers an unblinking look at the feelings of the two new residents in their encounters with other residents, medical staff, social workers, psychiatrists and family. A touching, sometimes painfully honest dramatic experience, it is valuable for in-service staff training, and for all other audiences both professional and non-professional, interested in the problems of the aged.Read More »

Yoji Kitami, a fisherman’s son, is a student in Tokyo. His father had died at sea and Taichiro, his brother, is sending him to the university. But the outbreak of violence by radical students and blockade of classrooms make studying impossible and Yoji goes home. Fortunately, he meets Katsuyuki Shinoda, a childhood friend, who works on a whaling vessel. Yoji decides to join him and rediscover a meaning in life. But finding sidework on a whaler is not so easy and Ogaki, a veteran harpooner, curtly turns him down. But finally, deeply touched by Yoji’s earnestness, Ogaki reluctantly agrees to take him with them. Rules are very strict, for even one slight slip-up may jeopardize the safety of the entire ship. For a long time, it seems like a living hell, but with patience and courage, he begins to learn the ropes. And the day they sight their first whale, Yoji comes into his own and finds the real meaning of life.Read More »