Queer Cinema(s)

Overview: Hank is a slacker with no real ambition in life other than to meet all the interesting people in New York City. And that he does — or does he? — when he runs into Paul one day in Central Park.Read More »

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Sometime in the mid to late sixties, Doris Day got saddled with the “Oldest Living Virgin” label, something which seemed somewhat a propos considering her squeaky clean, almost asexual screen persona. Day was always the girl next door, even when she traversed in unusual territory like Julie or the 1956 Hitchcock remake of The Man Who Knew Too Much. With her slightly raspy voice and inherently sweet disposition, Day was the Eisenhower Era’s answer to Marilyn Monroe, another stunningly beautiful blonde that you wouldn’t be worried about bringing home to meet Mom. This generic labeling of Day often underestimates her real skill as an actress.Read More »

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It’s tough to find something redeeming about Jean-Claude Brisseau’s Exterminating Angels, a conflated, borderline pornographic, and execrable projection of the female psyche as seen through the murky gaze of a successful, middle-aged filmmaker, François (Frédéric van den Driessche) whose encounter with an actress recounting her sexual fantasy during an interview triggers his own personal and creative journey into capturing the intersection of desire and intimacy.Read More »

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A gay man impersonates men he has had sex with and brings this new persona with him to his next casual encounters. Only by pretending to be someone else can he be truly himself.Read More »

“Then I won’t be a girl. And I won’t be weak and I won’t be silly. I’ll be a boy and rough and hard. I won’t care what I do. Don’t worry! I’m ready for anything.”
– Sylvia (Katharine Hepburn)

Sylvia Scarlett is a 1935 romantic comedy film starring Katharine Hepburn and Cary Grant, based on The Early Life and Adventures of Sylvia Scarlett, a novel by Compton MacKenzie. Directed by George Cukor, it was notorious as one of the most famous unsuccessful movies of the 1930s. Hepburn plays the title role of Sylvia Scarlett, a female con artist masquerading as a boy to escape the police. The success of the subterfuge is in large part due to the transformation of Hepburn by RKO make-up artist Mel Berns.Read More »

True story of Mary Griffith, gay rights crusader, whose teenage son committed suicide due to her religious intolerance. Based on the book of the same title by Leroy Aarons.Read More »

An ambitious actor and a successful politician start a secret affair, and together they discover their fetish for having sex in public places. The closer they get to their dream of fame, the more they feel the urge to put themselves at riskRead More »

In the nineties the Yugoslavia Federation falls apart in bloody wars. Perpetual student Milan, a Serb from a patriarchal community and Kenan, a Muslim cellist, are a homosexual couple living in Sarajevo. Their lives, intimate and public, are shaken up by the aggression in Bosnia and Herzegovina, whose devastating consequences unfold in inter-ethnic hatred. Read More »

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Though undeniably an exercise in style over substance from the opening frames, Tony Scott’s languid exercise in gothic vampirism may disappoint those with little patience for arty overindulgence, though those with a taste for slow-burning decay may find The Hunger an involving study in the desperation for love and eternal youth. Vampire enthusiasts and Ann Rice followers drawn to the more romantic aspects of the mythology will likewise succumb to Catherine Deneuve’s seductive menace and David Bowie’s otherworldly charismatic performance, with Susan Sarandon offering a compelling turn as a doctor drawn in to the dark underworld while attempting to halt the vampiric Bowie’s rapidly accelerated aging process. Read More »