
“Together with his collaborator, (prominent Australian playwright) Stephen Sewell, Ian Pringle has wisely chosen to avoid the restrictive confines of a birth-to-death biography. They have instead fashioned an involving interior drama, focusing on the final four years of Isabelle Eberhardt’s turbulent existence. This is the period when Isabelle (Mathilda May) returns to North Africa, ostensibly to track down a missing right-wing eccentric, the Marquis de Moyes. Eberhardt operates as a kind of free-roving desert correspondent, outraging authorities both with her published accounts exposing the corruption of the French militia, and also with her rebellious behaviour as an independent, self-styled woman in an exclusively male domain.Read More »