
A nobleman, posing as a necktie salesman, falls in love with the daughter of a circus puppeteer, even though he is already married to the daughter of his country’s war minister.Read More »

A nobleman, posing as a necktie salesman, falls in love with the daughter of a circus puppeteer, even though he is already married to the daughter of his country’s war minister.Read More »


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The movie begins with the discovery of a yoghi who, after being brought back to life by a maharajah, promises to do anything his saviour’s heart desires. Bizarrely, what the nobleman wants is for the yoghi to transport himself to the west and bring back an architect capable of building a magnificent mausoleum for his princess.Read More »


The jealous & vindictive Rajah of Bengal continues to manipulate the fates of his three English captives in his mad scheme to punish his faithless wife.
THE Indian TOMB: THE TIGER OF BENGAL is a perfect example of the grand German cinema epics created during the silent era. Berlin film mogul Joe May turned the full resources of his modern 50-acre Maytown studio near Berlin over to the production, using 300 workmen to create the lavish sets necessary to tell such an exotic tale.Read More »


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Already in The Tram, Krzysztof Kieslowski’s silent directorial debut, the themes and hallmarks of the author of the Three Colors trilogy are revealed. The simple tale of a boy and a girl who meet on a night streetcar and engage in a game of looks is a universal story that could happen – and often does – to anyone, thus portraying human Qpassing. Bored with a private party, not fitting in with the rest of the company, a boy leaves his apartment and runs up to a runaway streetcar. He manages to get on it at the last minute. Read More »