Experimental

Taking a selection of my father’s vast archive of landscape photographs as a starting point, I embarked on an investigation of the possibilities for creating ‘landscapes’ directly on motion picture film material. Using yeast, salt, leaves and seaweed as reactive elements I managed to find a new way for creating images on analogue film. The yeast grew; feeding on the gelatin, the caustic power of the salt left marks in the emulsion, the acidity of the leaves attacked the film even stronger, and chlorophyl in the seaweed was absorbed; creating unexpected colours.Read More »

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London is cut up and manipulated in this highly structured, emotionally compelling piece about the UK’s capital city and its capacity to alienate and atomise people. Images printed using custom-made equipment at the London Filmmakers’ Co-op stagger forward and back in precise rhythms and establish both a spatial and emotional map of the various night-time locations seen here.Read More »

The expanded cinema performance Pattern/Chaos is a negotiation between the unpredictability of organic processes and the regularity of frames, optics and motors. Images that are at first glance perceived as abstract turn out to be concrete precipitation from phenomena that surround us in every day life. The work can be understood as an attempt to undermine the assumption that the natural world and the human world are opposites.Read More »

A puppet equipped with suction cups slides along different surfaces.

Story:Ugo Nespolo
Screenplay:Ugo Nespolo
Photography:Bruno Dreossi
Music:Stefan Grapelli, George SheringRead More »

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The collective consciousness of human pain has led to an unknown alternate reality wasteland. Appearing are those searching for their answers and somewhere beyond-the entity Embodiment of Angst. It is believed that this mysterious thing can save whoever encounters it from whatever pain they’re undergoing. So of course everyone started battling to the death so that any which one of them may gain catharsis. With only the most hardcore and pain-ridden still standing and a Psycho in the Radio summoning reject objects to crash onto everyone they resent, the answers to pain don’t wait. The use of “Angst” is repurposed as synonymous with all pain-physical, psychological, spiritual. Jacked into the Wasteland of Angst’s heightened alternate reality, how each person experiences, handles, and expresses their pain is represented as supernatural traits both to their advantage and disadvantage.Read More »

“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward OwensRead More »

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Oblivion is of a man’s elderly paralytic literally unspeakable monologue of pain and fury as he finds himself caught in the isolation of dependency and sexual loss. His mind attempts to regain a certain equilibrium of desire as the women who he once loved surround his shrinking and shrieking mind with tantalising distain and pornographic voyeurism. They are both real and imaginary and appear, disappear, and suddenly come back to torment his memory. He is motionless and powerless to control even his fantasies, and in the confused, claustrophobic space the inner world of love and hate, death and life, loneliness and togetherness, and sex, all ambiguously collide as if they were torn out of time. His life becomes represented, not as remembrance, but of the traces and signs of an absence. Suggested by the book “Le Con D’Irène” by Louis Aragon.Read More »

A true animated film about invented islands. About an imaginary, linguistic, political territory. About a real or dreamed country, or something in between.Read More »

PLOT: Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.Read More »