
Synopsis
A refugee torn from her Middle Eastern home, Myriam resettles in the Midwest, documenting her early experiences in this new land through a poignant letter addressed to her grandmother she was forced to leave.Read More »
Synopsis
A refugee torn from her Middle Eastern home, Myriam resettles in the Midwest, documenting her early experiences in this new land through a poignant letter addressed to her grandmother she was forced to leave.Read More »
Quote:
On April 27, 1937, in the midst of a grueling and increasingly brutal Spanish Civil War, the
ancient Basque town of Guernica was subjected to an extended duration bombardment
campaign by German forces in an unrelenting aerial campaign designed to demoralize the
collective psyche of the Basque nation and to also show camaraderie (and military
alliance) with the nationalists under Generalissimo Francisco Franco.Read More »
Taking a selection of my father’s vast archive of landscape photographs as a starting point, I embarked on an investigation of the possibilities for creating ‘landscapes’ directly on motion picture film material. Using yeast, salt, leaves and seaweed as reactive elements I managed to find a new way for creating images on analogue film. The yeast grew; feeding on the gelatin, the caustic power of the salt left marks in the emulsion, the acidity of the leaves attacked the film even stronger, and chlorophyl in the seaweed was absorbed; creating unexpected colours.Read More »
A puppet equipped with suction cups slides along different surfaces.
Story:Ugo Nespolo
Screenplay:Ugo Nespolo
Photography:Bruno Dreossi
Music:Stefan Grapelli, George SheringRead More »
Quote:
The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman’s shoes.Read More »
Two actresses rehearse a play during a week-end in a country house. But one of them digs up a strange thing from earth while walking in the woods. A creature the size of a seal, without any holes nor members. The mass of flesh and skin, covered with hair, breathes loudly. The creature becomes an object of lust for both women. The relationship between the two actresses becomes tense. Both women are desperate to own the thing. This leads to a series of burlesque and violent situations. The two actresses have no idea that they have unearthed Our Lady of Hormones.Read More »
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward OwensRead More »
Synopsis
Following an unpleasant run in at the beach, teenagers Oscar and Iben are left behind by their friends. When one of them makes a friendly gesture, they experience what might be the beginning of an unexpected relationship.Read More »