Ingmar Bergman

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“God, why hast thou forsaken me?” With Winter Light, Ingmar Bergman explores the search for redemption in a meaningless existence. Small-town pastor Tomas Ericsson (Gunnar Björnstrand) performs his duties mechanically before a dwindling congregation, including his stubbornly devoted lover, Märta (Ingrid Thulin). When he is asked to assuage a troubled parishioner’s (Max von Sydow) debilitating fear of nuclear annihilation, Tomas is terrified to find that he can provide nothing but his own doubt. The beautifully photographed Winter Light is an unsettling look at the human craving for personal validation in a world seemingly abandoned by God.Read More »

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Cries and Whispers is a powerful, richly textured exploration of the human soul. The story is set on a remote country house, stripped from the distractions of the outside world (the only “guest” is an attending physician). Agnes (Harriet Andersson) is a terminally ill woman who is cared for by her two sisters: Karin (Ingrid Thulin), repressed and domineering, and Maria (Liv Ullman), sensual and indecisive. However, her only source of comfort is the devoted, nurturing maid, Anna (Kari Sylwan). As with other Bergman films, most notably Autumn Sonata, the film is a heartbreaking portrait of pain and regret, of things left unsaid and undone, until it is too late.Read More »

The complicated relationships between a circus ringmaster, his estranged wife and his lover.Read More »

A play that premiered 24 February 1965 on China stage, Royal Dramatic Theatre, Stockholm and was performed 19 times. It was shown in four parts on TV in November that same year.

The parts are between 29 & 37 minutes each. Every part begins with approximately 10 minutes from “behind the stage”. First part is from the repetitions about the directing and character developements, second part is about the stage, set- & costume design, in the third part the actors explain the prepatations and makeup, and finally in the fourh part there is bit more makeup, a short description of how it was when the plays were put up in Molieres time and a scene from when the cast are having coffee break.Read More »

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In Stockholm, the fashion photographer Susanne Frank misses her married lover Henrik Lobelius that lives in Gothenburg with his wife and children, and the naive twenty years old model Doris has a troubled relationship with her boy friend Palle Palt. Susanne schedules a session of photo shoots in Gothenburg with Doris, and once there, she calls Henrik for an encounter. Meanwhile, Doris meets an elegant middle age gentleman on the street, the Consul Otto Sönderby, who buys expensive gifts for her: a dress, a pair of Italian gloves and valuable pearl necklace.Read More »

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After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.Read More »

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Ingmar Bergman had discovered the bleak, windswept Fårö while scouting locations for Through a Glass Darkly in 1960. Nearly a decade later—and after shooting a number of arresting dramas there and making the island his primary residence—the director set out to pay tribute to its inhabitants. In Fårö Document, shot on handheld 16 mm by Sven Nykvist, Bergman interviews a variety of locals, in the process laying bare the generational divide between young residents eager to leave the island and older people more deeply rooted in bucolic tradition. The film revealed Bergman to be a sensitive and masterly documentarian.Read More »

West German TV production by Bergman. This is a Recording from the Channel ZDF Theaterkanal from13.02.2008 in german Language only.
The original Recording was in 1984 at Bayerisches Staatsschauspiel München.
It is a french play based on the legend of Don Juan.Read More »

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Three women in a maternity ward reveal their lives and intimate thoughts to each other.

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At the height of his international acclaim, Ingmar Bergman followed two meditations on death, The Seventh Seal and Wild Strawberries, with an examination of the mystery and pain of birth. This intimate chamber drama, set in a maternity ward, follows the emotional crises of three women as they grapple with motherhood. Another major success for the director that was also recognized for its exquisite performances by Ingrid Thulin, Eva Dahlbeck, and Bibi Andersson, Brink of Life is one of Bergman’s most brilliantly nuanced explorations of the inner lives of women.Read More »