Silent

  • Monta Bell – Lights of Old Broadway (1925)

    1921-1930DramaMonta BellSilentUSA

    Lights of Old Broadway
    Essay by Matthew Kennedy
    By 1924, Metro Pictures was ailing. Founded in 1915 it had major successes with child star Jackie Coogan, “Great Stone Face” Buster Keaton, and sensational Rudolph Valentino in Four Horsemen of the Apocalypse (1921). But Metro lost Valentino to Paramount and was also in need of more theaters to better control exhibition. Goldwyn Pictures was in trouble, too, thanks to internecine fights between management and board. A merger could mitigate their respective business worries. When Metro and Goldwyn united on April 17, 1924, with the manipulative, canny, and robust Louis B. Mayer in charge, it became the nascent film empire Metro-Goldwyn- Mayer. Twenty-four-year-old “Boy Wonder” Irving Thalberg, formerly at Universal, was signed as supervisor of production.Read More »

  • Arthur Robison – The Informer [Silent] (1929)

    1921-1930Arthur RobisonDramaSilentUSA
    Arthur Robison - The Informer [Silent] (1929)

    AMG wrote:
    In this drama, an impoverished Irishman decides to turn an IRA colleague into the cops to receive a desperately needed reward that will allow him to escape to America with his mistress. Unfortunately his plans go awry and the young man is filled with guilt by his friends who once held his high ideals. ~ Sandra Brennan, All Movie GuideRead More »

  • Ernst Lubitsch – The Patriot [Trailer] (1928)

    1921-1930Ernst LubitschSilentUSA

    Quote:
    Here’s the trailer from Ernst Lubitsch’s long lost silent film The Patriot, which is the only film nominated for a Best Picture Oscar that is now lost. Emil Jannings, Florence Vidor, and Lewis Stone star.

    The trailer is fairly tantalizing, I mean who wouldn’t want to hear Jannings’ “Agonized Roar”, and the fact that it’s a Lubitsch film makes it doubly so. But sadly this is all we have left of the film save for some crowd footage that ended up in Josef von Sternberg’s The Scarlet Empress. Here’s hoping someday this one turns up.Read More »

  • Erich von Stroheim – Queen Kelly (1929)

    USA1921-1930Amos Vogel: Film as a Subversive ArtClassicsErich von StroheimSilent

    Prince Wolfram is the betrothed of mad Queen Regina V of Kronberg. Supreme ruler, her word is law and he is a playboy…Read More »

  • Jacques de Baroncelli – La femme et le pantin AKA The Woman and the Puppet (1929)

    1921-1930DramaFranceJacques de BaroncelliSilent

    Womanizer Don Mateo helps a girl in a train when attacked by a other woman. This girl, Conchita – a cigarette maker, soon visits the rich Don Mateo at his palace in Sevillia. He falls for her, but she likes to play with him.Read More »

  • Marc Allégret – Voyage au Congo AKA Travels in the Congo (1927)

    1921-1930DocumentaryFranceMarc AllégretSilent

    Light Industry wrote:
    In 1926, André Gide set sail from Bordeaux to French Equatorial Africa and the Belgian Congo with Marc Allégret, his 25-year-old former student and lover of nearly a decade, who was brought on the trip officially as Gide’s “secretary.” Gide had been inspired to visit Africa by reading Joseph Conrad’s Heart of Darkness and planned his itinerary with Allégret as something of a recapitulation of Conrad’s fictional expedition. Travelling for thousands of miles by railway, river, and foot, through areas that today comprise the Democratic Republic of the Congo, the Central African Republic, Chad, and Cameroon, the pair spent time with colonial agents and indigenous communities. Both Gide and Allégret produced important records of their epic journey. Gide kept diaries that he quickly published in two volumes, Voyage au Congo (1927) and Le Retour du Tchad (1928), while Allégret took some seven hundred photographs and shot the film Voyage au Congo: Scènes de la Vie Indigène en Afrique Équatoriale, one of the earliest feature-length ethnographic documentaries to be made on the continent.Read More »

  • Charles Lane – Sidewalk Stories (1989)

    1981-1990Charles LaneComedySilentUSA

    Quote:
    A 1989 American low-budget, nearly silent movie directed by and starring Charles Lane. The film was shot in black and white and tells the story of a young African American man raising a small child after her father is murdered. The film is inspired by “Tiger Bay“ (1959) and partly Charlie Chaplin`s 1921 feature “The Kid“. The film was televised by PBS as well as saw limited exposure on VHS and cable television in the 1990sRead More »

  • Holger-Madsen – Himmelskibet AKA A Trip to Mars (1918)

    Silent1911-1920DenmarkHolger-MadsenScandinavian Silent CinemaSci-Fi

    Navy captain Avanti Planetaros is inspired by his astronomer-father to travel through outer space to reach other worlds. He becomes an aviator, and, along with the young scientist Dr. Krafft, the driving force behind the construction of a spaceship. Despite opposition from the mocking Professor Dubius, Planetaros gathers a crew of fearless men and takes off. During the long voyage, the crew becomes restless; a mutiny is narrowly avoided. Finally they reach Mars, and discover that the planet is inhabited by a people who have reached a higher stage of development, free of disease, sorrow, violence, covetousness, sexual urges, and the fear of death. Avanti falls in love with Marya, daughter of the Prince of Wisdom, the head of the Martians. Marya shares his feelings, and decides to return with him in order to bring the wisdom of the Martians to the backward Earthlings.Read More »

  • Robert Wiene – Furcht AKA Fear (1917)

    1911-1920GermanyHorrorRobert WieneSilent

    CinemaSerf, IMDB wrote:
    Bruno Decarli (“Count Greven”) is quite good here, as the nobleman who likes to collect works of art. When in Java, he alights on a mystical totem and decides he has to have it – despite the objections of the local priest (Conrad Veidt) whom he swiftly despatches. That’s not the end of our holy man, however, as he haunts his killer with portents of impeding doom… Veidt looks superb as the spirit; his (heavily made up) facial features – always hugely effective – are lit with added poignancy and the direction from Robert Wiene builds a good degree of tension as the denouement, quite literally, looms.Read More »

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