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Brilliant farce propels two ineffectual Christmas tree salesmen (played by Laurel and Hardy) into a prolonged bout of savage destruction directed against a customer who refuses to buy. Mutual insults, tie snipping, and small violence escalate from controlled disturbance to surrealist cataclysm, in which the American Home is levelled once and for all.Read More »
A newly wedded couple attempts to build a house with a prefabricated kit, unaware that a rival sabotaged the kit’s component numbering.Read More »
Synopsis
A soldier inaccurately reported as dead returns home to his Spanish family’s estate in California, only to find his father deceased and his ancestral land in the hands of strangers.Read More »
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After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal a car in their attempt to escape the police, and reach Canada.Read More »
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The Ushant archipelago is a group of small islands situated off the coast of Brittany at the northwest extremity of France. Each year, four fishermen from the most populated island Ushant set up camp for three months on the uninhabited islet of Bannec to gather and process seaweed, producing a valuable soda-rich resource for factories along the coast. JeanMarie and Ambroise, the two youngest members of the four, fall out when the latter drops his friend’s last bottle of wine. Ambroise finds himself ostracised when Jean-Marie accuses him of stealing his pocket knife and then develops a fever when infection sets in on a hand wound. Read More »
THE GEORGETOWN LOOP
(Ken Jacobs, 1996, 11m, widescreen 35mm film, black and white, silent)
Originally photographed in 1903, US Library of Congress collection. New arrangement in 1996 by Ken Jacobs, assisted by Florence Jacobs. 35mm optical rephotography by Sam Bush, Western Cine, Denver.
I’ve been raiding the Paper Print Collection of the Library Of Congress in Washington, DC, since the late 1960s with TOM, TOM, THE PIPER’S SON. It’s a preserve of early cinema. Until 1912, in order to copyright film, one deposited with the library a positive from the negative printed on paper, unprojectable, but – unlike nitrate prints – capable of weathering the years without Crumbling into chemical volatility. And there the stacks rested, safely out of mind, hundreds and hundreds of silent rolls most less than 30 meters, many Edisons, American Mutoscope And Biograph, Gaumont, Lubin, Vitagraph ; cine-snatches of life as it was lived, vaudevillians, proto-dramas, and too many state parades.Read More »
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Stage play directed by Berthold Brecht, filmed by Carl Koch, about a civilian who is press-ganged into a machine-gunner’s squadron and transformed into the perfect soldier.
Man is Man, a tragi-comedy written in 1927, a work of Brecht’s youth that marks his entry into epic theatre. How can Man manage to adapt to all the different roles that the industrial society of the 20th Century demands, in an apparently intransigent call for change ? Galy Gay is this unorthodox hero who starts out as a messenger and becomes an active soldier under nauseating pressure from dubious soldiers. French critic Bernard Dort noted that the construction and dismantling of Widow Begbick’s refreshments carriage in this play take place at the same time as the transformation of Galy Gay into Jeramiah Jip. The mobility of the location, theatrically points to the instability of the characters in the epic form. Thomas Ostermeier seized upon the theme of deconstruction, and has his actors play furiously with the different states of reality.Read More »
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A Tom Tom Chaser is Jacobs’ 2002 poetic riff on the transformation of his classic film Tom Tom the Piper’s Son from chemical to electronic form during the telecine process.Read More »
Unfinished documentary about the “March of the 100,000”, driven by the student movement against brazilian dictatorship in 1968. Glauber directed with “Antonio das Mortes'” cinematographer, Affonso Beatto. A mysterious film.Read More »