1931-1940

  • Robert Z. Leonard – Dancing Lady (1933)

    1931-1940MusicalRobert Z. LeonardRomanceUSA

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    Plot:
    Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.Read More »

  • Roberto Rossellini – Fantasia sottomarina AKA Undersea Fantasy (1940)

    1931-1940ItalyRoberto RosselliniShort Film

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    Synopsis:
    Roberto Rossellini’s first film is a work of deceptive transparency. In its initial moments the film appears to be a documentary about underwater, even deep-sea, species. But soon after, the narration, in the manner of Cocteau, unleashes a powerful “dual reality” onto the images, imbuing them not only with a narrative logic, but a kind of magic. Read More »

  • Clarence Brown – A Free Soul (1931)

    1931-1940Clarence BrownClassicsDramaUSA

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    from imdb:
    An alcoholic lawyer who successfully defended a notorious gambler on a murder charge objects when his free-spirited daughter becomes romantically involved with him.Read More »

  • Gregory Ratoff – Wife, Husband and Friend (1939)

    1931-1940ClassicsComedyGregory RatoffScrewball ComedyUSA

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    20th Century-Fox evidently adored “triangle” comedies like Wife, Husband and Friend; apparently so did Loretta Young, who appeared in most of these films. Young plays the wife of businessman Warner Baxter, while “friend” Cesar Romero is an amorous singing teacher who convinces Young that she has a future in opera. To show up his wife, Baxter takes lessons from diva Binnie Barnes–and as it turns out, he’s the one with the ideal operatic voice. The romantic quadrangle is resolved when Baxter makes a disastrous stage debut, whereupon Romero and Barnes exit and Baxter and Young realize the error of their ways. Wife, Husband and Friend was remade in 1949 as Everybody Does It, with Paul Douglas (of all people) as the would-be Caruso. ~ Hal Erickson, All Movie GuideRead More »

  • Clarence G. Badger – Party Husband (1931)

    1931-1940Clarence G. BadgerClassicsComedyUSA

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    Plot:
    Early Talkie titanness Dorothy Mackaill stars in this steamy pairing of racy dramas that tested the limits of the censors – and of marriage! The Office Wife features Mackaill playing a “welcome danger to the tired businessman” while sharing the screen alongside a scene-stealing and clothes-shedding Joan Blondell (in her sophomore screen appearance!). Party Husband finds ex-Ziegfield Girl Dorothy playing the better half of a thoroughly “modern marriage” whose openness threatens to bring about its premature end. Fellow Ziegfield alum Mary Doran plays the coquette whose intended conquest of the free-thinking hubby (James Rennie) starts to throw the couple’s “understanding” awry. From Warner Brothers!Read More »

  • Alfred Hitchcock – The Lady Vanishes (1938)

    1931-1940Alfred HitchcockClassicsDramaUnited Kingdom

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    Quote:
    In this best-loved of Hitchcock’s British-made thrillers, a young woman on a train meets a charming old lady (Dame May Whitty), who promptly disappears. The other passengers deny ever having seen her, leading the young woman to suspect a conspiracy. When she begins investigating, she is drawn into a complex web of mystery and high adventure.

    If one film challenges the idea that Hitchcock ‘found himself’ as a director only after he arrived in Hollywood, it is The Lady Vanishes. Released in 1938 by Gainsborough, it is arguably the most accomplished, and certainly the wittiest of Hitchcock’s British films, and is up there with the best of his American work.Read More »

  • Alfred Hitchcock – Rebecca (1940)

    1931-1940Alfred HitchcockClassicsDramaUSA

    Quote:
    Rebecca is a 1940 psychological/dramatic noir thriller directed by Alfred Hitchcock as his first American project, and his first film produced under his contract with David O. Selznick. The film’s screenplay was an adaptation by Joan Harrison and Robert E. Sherwood from Philip MacDonald and Michael Hogan’s adaptation of Daphne du Maurier’s 1938 novel of the same name, and was produced by Selznick.[1] It stars Laurence Olivier as the aristocratic widower Maxim de Winter, Joan Fontaine as his second wife, and Judith Anderson as the housekeeper, Mrs. Danvers.Read More »

  • Mario Camerini – Ma non è una cosa seria AKA But It’s Nothing Serious (1937)

    1931-1940ClassicsComedyItalyMario Camerini

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    Synopsis:
    Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, “II Signor Max,” which, other than the setting and character role names, basically has the same plot as this film.Read More »

  • Mario Camerini – Il signor Max AKA Mister Max (1937)

    1931-1940ComedyItalian Cinema under FascismItalyMario CameriniRomance

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    Synopsis:
    Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is.

    Remade as Il Conte Max with Alberto Sordi in the De Sica role and the latter as the uncle.Read More »

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