From King John in 1899, film adaptations of Shakespeare’s plays proved popular with early filmmakers and audiences. By the end of the silent era, around 300 films had been produced. This feature-length celebration draws together a delightful selection of thrilling, dramatic, iconic and humorous scenes from two dozen different titles, many of which have been unseen for decades.

See Hamlet addressing Yorick’s skull, King Lear battling a raging storm at Stonehenge, The Merchant of Venice in vibrant stencil colour, the fairy magic of A Midsummer Night’s Dream, and what was probably John Gielgud’s first appearance on film, in the balcony scene from Romeo and Juliet. These treasures from the BFI National Archive have been newly digitised and are brought to life by the composers and musicians of Shakespeare’s Globe Theatre.Read More »

“Hitler’s Folly” explores what might have happened if Adolf Hitler’s art career had been more successful and instead of becoming an evil dictator, he was inspired to become an animator like Walt Disney.Read More »

Quote:
Beijing, the Seventies. Now that the Cultural Revolution has driven most adults to the provinces, 14-year old Monkey and his pals have free reign over the city. They hang around, get up to no good and discover that unsolvable mystery more commonly referred to as ‘girls’.

In the Heat of the Sun is a beautifully shot semi-autobiographical coming-of-age story where the ostensible nostalgia is undercut by an ironic narrator, who keeps blurring the line between what’s real and what may be imagined (“Wait, maybe it didn’t happen that way,…”). It’s a movie not just about memories, but also about the act of remembering and on how difficult that is, in a city which constantly re-builds itself from the ground up, in a country which constantly rewrites its own history.Read More »

Quote:
It is easy to forget what a breath of fresh air Kawase Naomi once seemed within Japanese filmmaking circles when she first emerged, aged just 18, at the turn of the 1990s with a series of highly personal Super 8 diaries and experimental films. The subsequent international recognition for her Caméra d’Or-winning feature debut Suzaku (1997) trailblazed a path for a new generation of women directors, such as Nishikawa Miwa and Tanada Yuki, who have since established successful commercial careers, slowly eroding the long-entrenched gender imbalance within the industry.Read More »

Quote:
Ken Russell’s celebrated and controversial film is a lyrical take on love and death as experienced by a Britain ravaged by World War One. Based on D H Lawrence’s acclaimed novel, it tells the story of two couples trapped between the pressure to follow convention and the urge to explore a Bohemian lifestyle. Set against the lush English landscape, the protagonists engage with nature in a direct and sensuous way, each searching for love but unsure what it means. Featuring stunning performances by Alan Bates, Jennie Linden, Oliver Reed and Glenda Jackson (whose role earned her an Academy Award), Women in Love is opulently designed, beautifully shot and is an undisputed landmark of British cinema.Read More »

Quote:
In Rams, writer-director Grímur Hákonarson mixes drollness and pathos with commanding matter-of-factness. The narrative is so inherently poignant that Hákonarson understands it requires a dry directorial counterpoint, which he provides in the guise of initially misleading authorial distance. A documentary filmmaker making his fictional feature debut, Hákonarson structures Rams with a sense of restriction that’s similar to that of certain documentaries, as if only some gestures could be captured within this rural Icelandic setting. There’s little exposition, though one’s given what they’re needed to orient themselves, as characters are observationally shown, at length, to engage in the processes that define their lives, particularly farming, sheep competitions, and tormented drinking.Read More »

Synopsis:
A former Spanish Civil War prisoner, John McKittrick arrives in New York to find the truth behind the death of his friend Louie Lepetino. He finds himself being chased by Nazi agents who want an item he has brought back from Spain and cannot give up. When another of his friends is murdered, McKittrick realizes that he cannot trust anyone around him – not anyone.

— Jim Beaver (IMDb)Read More »

Quote:
Purple Noon is a taut, intelligently written, and well crafted film about an amoral criminal. Tom Ripley (Alain Delon), commissioned to find and bring home an old school acquaintance named Philippe Greenleaf (Maurice Ronet), the errant son of a wealthy San Francisco businessman, is quickly seduced by the lifestyle of the idle rich. Without independent means, the parasitic Tom immediately leeches onto the squandering, philandering Philippe, who only seems too eager to flaunt his wealth and humiliate him. Soon, Tom’s pervasive presence turns a leisurely yachting cruise with Philippe’s girlfriend, Marge (Marie Laforet), into a claustrophobic nightmare. After instigating an argument between the two lovers, causing Marge to leave, Tom sets his plot in motion to assume Philippe’s identity. Purple Noon is a highly stylized and insidiously clever film on committing the perfect crime.Read More »

In 1964 author Samuel Beckett set out on one of the strangest ventures in cinematic history: his embattled collaboration with silent era genius Buster Keaton on the production of a short, titleless avant-garde film. Beckett was nearing the peak of his fame, which would culminate in his receiving a Nobel Prize five years later. Keaton, in his waning years, never lived to see Beckett’s canonization. The film they made along with director Alan Schneider, renegade publisher Barney Rosset, and Academy Award-winning cinematographer Boris Kaufman, has been the subject of praise, condemnation, and controversy for decades. Yet the eclectic participants are just one part of a story that stretches to the very birth of cinema, and spreads out to our understanding of human consciousness itself.Read More »