• Seymour Friedman – Loan Shark (1952)

    1951-1960CrimeFilm NoirSeymour FriedmanUSA

    Quote:
    A vicious loan shark ring has been preying on factory workers. When several workers at a tire factory suffer violence at the hands of the loan sharkers, a union leader and the factory owner try to recruit ex-con Joe Gargan to infiltrate to the gang. At first Joe does not want to get involved, but changes his mind when his brother-in-law dies at the hands of a savage loan shark hood. Joe works his way into the mob, but in order to keep his cover, Joe can’t tell anyone what he is up to.Read More »

  • Ernst Lubitsch – Die Puppe AKA The Doll (1919)

    ComedyErnst LubitschGermanySilentWeimar Republic cinema

    Quote:
    The Baron of Chanterelle (Max Kronert) demands that his nephew Lancelot (Hermann Thimig) get married to preserve the family line. A skittish and effeminate fellow, Lancelot does not wish to marry, so when his uncle presents him with 40 enthusiastic brides, he hides out with a group of monks. The gluttonous monks learn about Lancelot’s potential cash reward for his nuptials, so they cook up a plan: he can marry a doll…Read More »

  • Alfred Vohrer & Samuel M. Sherman – Die blaue Hand AKA Creature With the Blue Hand (1967)

    1961-1970Alfred VohrerCampCrimeGermanySamuel M. Sherman

    Die blaue Hand is a pretty wild movie on its own terms. It crams a lot of bizarre digressions into a mere 74 minutes, not counting some stuff reportedly inserted after the fact by an American distributor. You get a room full of hanging mannequins, a butler who reveals himself as the disgruntled ex-husband of the Emerson materfamilias, and a second inspection of the insane stripper, on top of everything I’ve already mentioned. If Kinski recedes during the story, Karl Lange emerges as an awesome looking villain in the Germanic Caligari tradition of evil asylum keepers, while Diana Koerner makes Myra an appealing heroine. Visually, even in something well short of restored form, Hand looks great in moody, Bava-influenced color, and the admitted datedness of the music is a point in the film’s favor as far as I’m concerned.Read More »

  • Ken Russell – The Lair of the White Worm (1988)

    1981-1990CampHorrorKen RussellUnited Kingdom

    Quote:
    Ken Russell’s Lair of the White Worm uses Dracula author Bram Stoker’s final novel as the basic springboard into a surreal and dark-humored tale concerning a bizarre cult and a series of sacrificial murders in honor of an ancient pagan god. When archeologist Angus Flint (Peter Capaladi) discovers the mysterious scull of an undiscovered beast, further investigation reveals a bizarre myth concerning a medieval knight slaying a fearsome dragon. Soon making the acquaintance of Lord James D’Ampton (Hugh Grant), the conquering knight’s descendant, Flint begins to learn of local lore surrounding the creature and soon discovers that, throughout the years, many unexplained disappearances have haunted the local populace. Read More »

  • Wen Jiang – Guizi lai le AKA Devils on the Doorstep (2000)

    1991-2000ChinaComedyFifth Generation Chinese CinemaWarWen Jiang

    Stephen Holden in the New York Times wrote:
    [The film] belongs to that rarefied breed of antiwar movie that adopts a lofty satirical distance from its characters’ plight. By turns farcical and horrifying, it scrupulously avoids plucking heartstrings to portray the soldiers and peasants alike as paranoid fools buffeted by the shifting winds of war…While acknowledging that war is hell, it goes further to suggest it is ludicrous.Read More »

  • Yoshihiko Matsui – Tonkei shinjû aka Pig-Chicken Suicide (1981)

    1981-1990CultExperimentalJapanYoshihiko Matsui

    Directed by Japanese underground legend Yoshihiko Matsui, most famous for his epic film Noisy Requiem and his early work with maverik Japanese director Sogo Ishii (Gojoe, Crazy Thunder Road), Pig Chicken Suicide is a veritable assault on the senses, mixing violent images of animal slaughter, racial strife and surrealism to tell the story of two Koreans living in Japan who’s love is destroyed due to overwhelming racial discrimination.Read More »

  • Julio Cortázar – A Fondo: Interview with Julio Cortázar (1977)

    1971-1980DocumentaryJulio CortázarSpainTV

    In this long interview done by the TVE (Televisión Española), Julio Cortázar reveals details on the creative process of his tales and which were his writing habits. During the interview (TV program “A fondo”, 1977), the Argentinean writer also talks about his family, his first writings, about Argentina and the exile, among other subjects.Read More »

  • John Sturges – Gunfight at the O.K. Corral (1957)

    1951-1960ClassicsJohn SturgesUSAWestern

    Synopsis:
    After a long career as a lawman that made him a legend, Wyatt Earp decides to quit and join his brothers in Tombstone, Arizona. There he would see them in a feud with the Clantons, a local clan of thugs and cattle thieves. When the showdown becomes inevitable, the help will come from Doc Holliday, a terminally-ill gambler who happens to be another Wild West legend.Read More »

  • Joseph M. Newman – The Gunfight at Dodge City (1959)

    1951-1960Joseph M. NewmanUSAWestern

    Synopsis:
    Bat Masterson doesn’t look for trouble, but he doesn’t walk away from it. When an army sergeant in Hays City tries to kill Bat and dies for his trouble, Bat heads for Dodge City where Ed, his brother, is city marshal and a candidate for county sheriff running against the corrupt Regan. Bat buys a share in a local saloon, partnering with the widow Lily. Then, after an ambush, Bat finds himself a candidate for sheriff and the heir to Ed’s intentions toward Pauline, a minister’s daughter. Can the upright but not always law-abiding gunslinger and saloon owner become a lawman and settle down? Or will trouble keep finding him?Read More »

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