• Samuel Fuller – Forty Guns (1957)

    USA1951-1960ClassicsSamuel FullerWestern

    Synopsis:
    An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunmaker enters the picture, and things go desperately wrong.Read More »

  • George Sherman – Tomahawk (1951)

    1951-1960ActionGeorge ShermanUSAWestern

    Synopsis:
    In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux…to the disgust of frontier scout Jim Bridger, whose Cheyenne wife led him to see the conflict from both sides. The powder-keg situation needs only a spark to bring war, and violent bigots like Lieut. Rob Dancy are all too likely to provide this. Meanwhile, Bridger’s chance of preventing catastrophe is dimmed by equally wrenching personal conflicts. Unusually accurate historically.Read More »

  • Bethel Buckalew – Sassy Sue (1973)

    1971-1980Bethel BuckalewCampEroticaUSA

    IMDB:
    At the happy Willard ranch, a moonshiner father decides to teach his son a lesson or two about women, however, no one can come between Junior and his Sassy Sue.Read More »

  • Werner Nekes – Makimono (1974)

    1971-1980ExperimentalGermanyShort FilmWerner Nekes

    Quote:
    “The title refers to Japanese landscape painting on rolls. Furthermore it indicates the film’s theme, the balance of colors (blurred tones of blue, green and grey) and the type of montage that gives priority to continuity of development rather than to disruption and contrast. This continuity is achieved by dissolvings and double exposures and by extremely long pans. The rhythm accelerates: a meditation on landscape, which unfolds before the eye or is visually paced out, gives way to fluidity and pure motion, to a feeling of dizziness, the result of two contrasting camera movements.Read More »

  • Jack Arnold – Red Sundown (1956)

    1951-1960ActionJack ArnoldUSAWestern

    Synopsis:
    When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available is deputy to sheriff Jade Murphy, an honest man caught between small farmers and a local cattle baron. And he has a pretty daughter. So Longmire decides to stay and see if he can use his expertise with firearms for good.Read More »

  • Denis Héroux – Jacques Brel Is Alive and Well and Living in Paris [American Film Theatre] (1975)

    1971-1980Denis HérouxMusicalUSA

    Plot
    The film opens in a puppet theater, where three audience members—a military officer, a taxi driver, and a woman on a shopping trip—discover they are being depicted as marionette caricatures against a backdrop of newsreel footage from the 1920s through the 1950s. They find themselves trapped backstage amidst bizarre circumstances … the puppet master is found dead above the stage, a gigantic plaster hand drops from the ceiling to the floor, and a deafening siren blares endlessly. The trio escapes from the theater to a beach, where the military officer locates the siren and kicks it, causing it to blow up.Read More »

  • Luciano Emmer – Parigi è sempre Parigi AKA Paris is Always Paris (1951)

    1951-1960ClassicsComedyItalyLuciano Emmer

    Parigi e Sempre Parigi (Paris is Always Paris) was the second feature-length effort from famed Italian documentary director Luciano Emmer. Whereas Emmer’s first feature, Domenica d’Agosto (Sunday in August) was a warm-hearted study of the Italian middle class, Parigi concentrates on a gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. The hero, DeAngelis (Aldo Fabrizi), has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. This plot device, of course, obliges the director to introduce several delectable French mademoiselles in the proceedings. Ultimately, DeAngelis realizes that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out.Read More »

  • Noboru Tanaka – (Maruhi) jorô seme jigoku AKA The Hell-Fated Courtesan (1973)

    Drama1971-1980EroticaJapanNoboru Tanaka

    The second of Nikkatsu’s trilogy of softcore melodramas looking at prostitution in various Japanese cities, this dark look at ritualistic temple sex in Edo from director Noboru Tanaka is quite a departure from the light, comic tone of Chusei Sone’s Maruhi: Joro Ichiba. Resembling nothing so much as an Asian version of all those Roman-set Italian sex films of the 1970s, the film deals with various members of Japanese royalty subjecting women to sadomasochistic sexual practices in the temple for supposedly religious reasons. Rie Nakagawa stars with Yuri Yamashina, Moeko Ezawa, and Hijiri Abe.
    ~ Robert Firsching, All Movie GuideRead More »

  • Irvin Kershner – The Flim-Flam Man (1967)

    1961-1970ComedyCrimeIrvin KershnerUSA

    Mordecai Jones is a rural con artist (a ‘flim-flam man’) who takes on a young army deserter; Curley as his protege, and teaches him the tricks of the trade. Sheriff Slade is in hot pursuit of the pair, and rich girl Bonnie Lee Packard becomes romantically involved with Curley, and helps the fleeing duo stay one step ahead of the sheriff.Read More »

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