The main character is the manager of a sport club, nicknamed “Teddy Bear” by his friends and acquaintances. One day he is detained at the border just as his sport team is off to a tournament – somebody has torn out a few pages from his passport. It occurs to him that perhaps his ex-wife has done so to get her hands on their joint account in a London bank.Read More »
This undeservedly obscure film directed by Agnieszka Holland was her second feature, coming between the better-known Aktorzy Prowincyonalni (Provincial Actors) that launched her career and Kobieta Samotna (A Woman Alone). All three were made in her homeland before the Communist government’s crackdown on Solidarity that led to her going into exile in France.Read More »
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A kidnapped happiness
In Wrony (Crows, 1994), the central place is given once again to a little girl, this time set against the background of a small town. It also is a film about love, but this time about the absence of it. Wrona, the skinny and mouthy girl of a fragile build with a face of both an innocent and a scamp, kidnaps another little girl (Maleństwo) from the neighbourhood. She does so in order to find someone to love and to be loved herself.
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Ewa returns to her village after a hospital stay. She works on a plantation that grows wild roses. While Ewa was away her mother has been taking care of her children Marysia and Jas. Ewa’s husband Andrzej also returns home after working for months in Norway. The time apart has created distance between them. During Marysia’s first communion, Ewa starts to feel ill. Her friend Basia drives her home. Basia admits that she leaked the gossip to Andrzej about Ewa’s affair with Marcel, a local high school boy. Ewa meets Marcel on the rose plantation. She says that their relationship is over. After Marcel leaves, Marta realizes that Jas, her 2-year-old son, has disappeared. The search begins. After hours a policeman appears and says that Jas has been found. Marta and Andrzej go to the next village and pick up Jas. Ewa returns to the hospital she left a few days before. We discover that Ewa had given birth to a child and put it up for adoption. Ewa wants her child back.Read More »
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A short excerpt from the Booklet essay by Daniel Bird
Trzecia część nocy (The Third Part of the Night, 1971) is a film by Andrzej Żuławski, the enfant terrible of Polish Cinema. It is also a film about the Polish experience, but one made by a filmmaker too young to remember the War. It was made in 1971, before the so-called Polish cinema of moral concern of Holland, Kieslowski and Zanussi. It is based (in part) on the life of Żuławski s father, Miroslaw, during the Second World War. It is perhaps the first (and probably the last) film about Weigl Institute in Lwow. But above all else, it is the debut film of one of cinema s true visionaries.Read More »
Tadeusz (Jan Kreczmar) is a Polish veteran of World War II who fled to London at the end of the war, leaving behind his wife Zofia (Irena Eichlerówna) and son, Maciek (Zbigniew Cybulski), who disappeared when he was 12 years old. Tadeusz returns to Kraków to discover that Maciek is alive, his wife may have been a partisan and that his son may have turned in his own mother in to the authorities. During Maciek’s struggle to understand his parents’ history, questions of collaboration with the Gestapo and Home Army retribution arise. Has pictures the mystical lost boy in a dark fairy-tale forest, full of the ghosts of the war and wholesale executions. The hypnotic quality of these excursions foreshadows the mesmerizing passages of Has’s later film, The Hour-Glass Sanatorium.Read More »
Martha Weiss, a Jew, is sent to Auschwitz concentration camp with her family. On the first day of their arrival Martha is, by a coincidence, chosen as an interpreter, but her entire family is killed. Waiting for the Red Army to deliver them from the prison camp, the film depicts Martha and her friends’ struggling life under the tyranny of camp guards and equally bad ‘capos’, administrative personnel chosen from among the prisoners.Read More »
As WWII and the German occupation ends, the Polish resistance and the Russian forces turn on each other in an attempt to take over leadership in Communist Poland.Read More »
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A film made in the emergency room of the traumatic surgery hospital located on Barska Street in Warsaw. Doctors attempt to help the injured in the face of frequent power shortages typical of the Polish People’s Republic. @culture.pl
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