In an Escher-like staircase, two characters, a man a woman, move around each other, in full view of the bizarre objects in the space: an infinite clock, a miniature surveillance camera, the hose of a vacuum cleaner. The camera always chooses a subjective point of view, namely from the vantage point of one of the objects or characters, who lose themselves in a game of attraction or repulsion. A surreal universe.Read More »
Experimental
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Frederieke Jochems – De Blikvanger AKA The Eyecatcher (1988)
1981-1990ExperimentalFrederieke JochemsNetherlandsShort Film -
Djibril Diop Mambéty – Badou Boy (1970)
1961-1970African CinemaComedyDjibril Diop MambétyExperimentalSenegal

Publisher’s description:
The 1970 colour full-lengh film Badou Boy, a south-Sahara “cops and robbers” movie, “it’s a part of my youthful years, many Africans empathizes with the amoral waif, the movie character that is so similar to me”, declared the director. Shot in 16mm, it won the gold medal at the MIFED of Milan and the golden Tanit at 1970 Cathage Festival.Read More » -
Detten Schleiermacher – Trab Trab aka Trot Trot (1959)
1951-1960Detten SchleiermacherExperimentalGermanyShort FilmDetten Schleiermacher did not start making films until late in life. He was actually a typographer.
With “Trab Trab” he made an impish attempt to create a synthesis between Dadaism and New Objectivity. The film is a precise and elegant account of a racecourse. It does so without narration or images of either horses or patrons; everything we see has been captured either pre- or post-race.Read More » -
Joris Ivens – Études de mouvements AKA Studies in Movement (1928)
1921-1930ExperimentalFranceJoris IvensSilentA movement study in which all possible camera angles are tried out to observe the chaos of traffic flows in Paris.Read More »
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Anthony Page – Not I (1973)
1971-1980Anthony PageExperimentalUnited KingdomA fascinating monologue of Samuel Beckett’s work, In A Wake For Sam, in which the only visible part of Ms Whitelaw are her lips, mouth and teeth. Mesmerising and chilling. Don’t forget to turn out the lights!Read More »
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Hannes Schüpbach – Spin (2001)
2001-2010ExperimentalHannes SchüpbachShort FilmSwitzerlandThe concept of Spin, the inherent turning momentum of electrons, stands for the passing of time and for time itself. The unceasing transformation of the world is translated into film via the gliding movement of the camera. Bright light and blurring portray the environment of the film’s elderly subject, my mother, as pure atmosphere. Her few calm gestures in the face of diminishing time and energy convey a personal presence undisturbed by specific goals. She sits and breathes quietly. When walking she travels across space. The turning away of a tree full of apples evokes regret, as does a sharp light that narrows and dissolves. In the final image my mother seems to taste a bitterness that eludes comprehension.Read More »
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Pablo Mazzolo – The Newest Olds (2022)
Pablo Mazzolo2021-2030ArgentinaExperimentalShort FilmThe Newest Olds is the second installment in Argentinian filmmaker Pablo Mazzolo’s cinematic diptych exploring the natural and urban environment within and surrounding the border region of Windsor–Detroit. Completed seven years after the release of Fish Point (2015), Mazollo’s revelatory study of light and landscape that animated the deciduous forest harbours and rare ecosystem at the southeastern tip of Pelee Island, The Newest Olds transforms Detroit’s iconic cityscapes, dislodging buildings from their foundations and collapsing the physical, political, and sensory boundaries between Canada and the United States through alchemical, in-camera, and optical printing techniques.Read More »
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Patrice Kirchhofer – Densité Optique I AKA Optical Density I (1977)
1971-1980ExperimentalFrancePatrice KirchhoferDensité Optique I (Optical Density I) mark a chromatic decomposition of the image. The choice to show a scrolling film movie as an extreme slow motion, frame by frame voluntarily directs the gaze on the work of the image. This aesthetic can remember those photographs retouched by painting. However, this type of image is obtained by a chemical decomposition of the film emulsion. Indeed, it is composed of three colored layers deposited on a transparent plastic substrate. Light passing through these layers is tinged with the colors and optical density, recreates the images and colors of the frames. Certain mixtures of chemistries acids attack these layers in the decolorizer, diluting in different aspects.Read More »
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Myron Ort – Volume IV – Old Redwood Series (1974-1979)
1971-1980ExperimentalMyron OrtShort FilmUSASynopsis
Old Redwood Series – 95 min. silent, 1974-1979
Animations – by Jack Fisher and Carl ConversaIn 1974 I moved to a rural property on Old Redwood Highway in Sonoma County near the town of Penngrove California where I still live. I had started a filmmaking curriculum in the Art Department at nearby Sonoma State University in 1969 after obtaining an MA in Film from San Francisco State University, and wanted to live closer to work.Read More »







