Experimental

Densité Optique I (Optical Density I) mark a chromatic decomposition of the image. The choice to show a scrolling film movie as an extreme slow motion, frame by frame voluntarily directs the gaze on the work of the image. This aesthetic can remember those photographs retouched by painting. However, this type of image is obtained by a chemical decomposition of the film emulsion. Indeed, it is composed of three colored layers deposited on a transparent plastic substrate. Light passing through these layers is tinged with the colors and optical density, recreates the images and colors of the frames. Certain mixtures of chemistries acids attack these layers in the decolorizer, diluting in different aspects.Read More »

Synopsis
Old Redwood Series – 95 min. silent, 1974-1979
Animations – by Jack Fisher and Carl Conversa

In 1974 I moved to a rural property on Old Redwood Highway in Sonoma County near the town of Penngrove California where I still live. I had started a filmmaking curriculum in the Art Department at nearby Sonoma State University in 1969 after obtaining an MA in Film from San Francisco State University, and wanted to live closer to work.Read More »

A cosmic journey in Sweden together with electronic musician and composer Ralph Lundsten. A film about art, music and philosophy.Read More »

Concentration Face features live performances filmed while on tour in Japan by the band Hella.

Concentration Face (DVD)
“Part I” – 60:26
Tokyo 5/3
Osaka 5/4
Kyoto 5/5
Nagoya 5/6
“Part II” – 60:33
Tokyo 5/7 (Entire Show)Read More »

Plot Synopsis
With characteristic invention, Ariane Mnouchkine, one of Europe’s most visionary stage directors, had the actors of Le Théâtre du Soleil improvise refugee stories based on what they’d gathered in a lifetime of newspaper reading before showing them the extraordinary letters on which THE LAST CARAVANSERAIL is based. Selected letters – written by Iranian, and Kurdish refugees held in France, Australia, Indonesia, New Zealand – were then organized into an episodic, non-linear, structure that honors and recalls Homer’s Iliad and Odyssey, manifold tales of war, no matter its cause, and its consequences. The 6-hour play, presented in two parts, neither points its finger at the West nor portrays the refugees as saintly; what it does is give dimension to withering statistics.Read More »

Quote:
Yervant Gianikian and Angela Ricci Lucchi are filmmakers of the resistance. They don’t want to convince at all costs, but rather aim at inducing a productive sense of dout, leading to a dialectic between present and past, there and elsewhere, truth and lies, ideology and history. Like Godard, the Gianikians have a solid belief in the ontological power of the image, in its radiant permanence. (…) If their films are formally superb, the Gianikians are part of that category of filmmakers of splendor, who use this as a dialectical means, rather than as an aim on itself. It’s also in this regard that they are political filmmakers. Like all great cineastes, the Gianikians learn us to look anew. They are worried poets, who compose their films with scraps from the past to throw a stronger light on the present. (Frédéric Bonnaud) Inventario Balcanico: Images of the Balkans, coming from diverse Yugoslav communities.Read More »

A conceptual pinku film which is conceived of 60 shots which all are 60 seconds long and represent an absurdist take on the narrative and stylistic schemes of erotic cinema.Read More »

Quote:
In 1975 Nina Shivdasani Rovshen (aka Nina Sugati SR), made Chhatrabhang – the first Indian film to win the International Fipresci critics award. This 80 min 35mm colour film was shot by AK Bir over a period of 2 weeks, and edited over 1 year by the filmmaker herself. The film was made within Rs 2 lakhs and has rarely been screened in India. Based on a true story, Chhatrabhang explores caste dynamics in a drought stricken village in rural India. This complex film transforms a 3 line news report into a lyrical feature film about the trauma of dilemma, and the processes involved in resolve, change and reform.Read More »

On retrouve dans ce film le va-et-vient entre l’intime et le monde, entre le vrai et le faux dans ces passionnants Nuages américains, journal de Morder qui couvre la période de l’été 1982 au 1er janvier 1983. Le film se divise en deux parties : la première retrace son voyage aux Etats-Unis où le cinéaste est censé retrouver un ami avec qui il va rompre et une seconde, française, où il évoque une rencontre avec un autre garçon.Read More »