Experimental

An experimental compilation of live performances and video art by Ranko Shinohara and Hijokaidan.Read More »

Mubi:
The remarks on Jun Kurosawa’s works have been focusing on his impulse of destruction, which are expressed in degenerative keywords such as “death” and “thanatos”: whereas aesthetical images are also often mentioned. Is it because his distinct features help them to establish such images?Read More »

With an elephant’s ivory tusk as the protagonist, Those That, at a Distance, Resemble Another meditates upon the endless tactility of museological and ecological conservation, inviting reflection upon forms of representation, replicas, and embodiments of various materials, disciplines, and institutions.Read More »

mubi:
As the filmmaker metaphorically represents the “romanticism as love towards mineral,” they are gathered through the act of shooting (the physical movements on camera) and they are a collection of images being put in the film; these meanings are to be interpreted by the audience.Read More »

Sporadic, quick-moving shots of light passing through and bouncing off different materials. We see the reflections and shadows caused by the different things it hits. I would say this was almost too simple, but the child-like soundtrack gives it an air of playfulness. It feels like being six years old and messing around with things that aren’t toys because you’re curious. It’s the very definition of simple but sweet.Read More »

From DVD booklet:
The works recorded here are made by Jun Kurosawa mainly in his years
at university.
The remarks on Jun Kurosawa’s works have been focusing on his
impulse of destruction, which are expressed in degenerative keywords
such as “death” and “thanatos”: whereas aesthetical images are
also often mentioned. Is it because his distinct features help them to
establish such images? The features can be described as “film scratch”
and “harsh noise,” all of which can be found in his masterpieces such
as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

Quote:
Triste is an indication of the level of cinema language that I have been working towards. By delicately shifting the weight and solidity of the images, and bringing together subject matter not ordinarily associated, a deeper sense of impermanence and mystery can open. The images are as much pure-energy objects as representation of verbal understanding and the screen itself is transformed into a “speaking” character. The “sadness” referred to in the title is more the struggle of the film itself to become a film as such, rather than some pervasive mood. N. D.Read More »

From DVD booklet:
The works recorded here are made by Jun Kurosawa mainly in his years
at university.
The remarks on Jun Kurosawa’s works have been focusing on his
impulse of destruction, which are expressed in degenerative keywords
such as “death” and “thanatos”: whereas aesthetical images are
also often mentioned. Is it because his distinct features help them to
establish such images? The features can be described as “film scratch”
and “harsh noise,” all of which can be found in his masterpieces such
as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

Quote:
Un Ange Passe (idiom: “used to indicate that one has noticed a long silence, especially a pause in a conversation”) is a science fiction about a girl who survived after a nuclear fallout at the end of 20th century. She tries to communicate with others by using a future gadget, but she misunderstands the contacts from others as a delusion and makes an imaginary character in her mind.Read More »