Jun Kurosawa

  • Jun Kurosawa – Fragment # for K.S (2019)

    2011-2020ExperimentalJapanJun KurosawaShort Film

    Mubi:
    The remarks on Jun Kurosawa’s works have been focusing on his impulse of destruction, which are expressed in degenerative keywords such as “death” and “thanatos”: whereas aesthetical images are also often mentioned. Is it because his distinct features help them to establish such images?Read More »

  • Jun Kurosawa – Parlez-moi d’amour (1989)

    1981-1990ExperimentalJapanJun KurosawaShort Film

    mubi:
    As the filmmaker metaphorically represents the “romanticism as love towards mineral,” they are gathered through the act of shooting (the physical movements on camera) and they are a collection of images being put in the film; these meanings are to be interpreted by the audience.Read More »

  • Jun Kurosawa – Surface (1989)

    1981-1990ExperimentalJapanJun KurosawaShort Film

    Sporadic, quick-moving shots of light passing through and bouncing off different materials. We see the reflections and shadows caused by the different things it hits. I would say this was almost too simple, but the child-like soundtrack gives it an air of playfulness. It feels like being six years old and messing around with things that aren’t toys because you’re curious. It’s the very definition of simple but sweet.Read More »

  • Jun Kurosawa – COMPOSITION (1989)

    1981-1990ExperimentalJapanJun KurosawaShort Film

    From DVD booklet:
    The works recorded here are made by Jun Kurosawa mainly in his years
    at university.
    The remarks on Jun Kurosawa’s works have been focusing on his
    impulse of destruction, which are expressed in degenerative keywords
    such as “death” and “thanatos”: whereas aesthetical images are
    also often mentioned. Is it because his distinct features help them to
    establish such images? The features can be described as “film scratch”
    and “harsh noise,” all of which can be found in his masterpieces such
    as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

  • Jun Kurosawa – REQUIEM (1989)

    1981-1990ExperimentalJapanJun KurosawaShort Film

    From DVD booklet:
    The works recorded here are made by Jun Kurosawa mainly in his years
    at university.
    The remarks on Jun Kurosawa’s works have been focusing on his
    impulse of destruction, which are expressed in degenerative keywords
    such as “death” and “thanatos”: whereas aesthetical images are
    also often mentioned. Is it because his distinct features help them to
    establish such images? The features can be described as “film scratch”
    and “harsh noise,” all of which can be found in his masterpieces such
    as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

  • Jun Kurosawa – Un Ange Passe (1995)

    1991-2000ExperimentalJapanJun KurosawaShort Film

    Quote:
    Un Ange Passe (idiom: “used to indicate that one has noticed a long silence, especially a pause in a conversation”) is a science fiction about a girl who survived after a nuclear fallout at the end of 20th century. She tries to communicate with others by using a future gadget, but she misunderstands the contacts from others as a delusion and makes an imaginary character in her mind.Read More »

  • Jun Kurosawa – A Film That Uses a Cheap Wine Glass to Consider Light (1989)

    1981-1990ExperimentalJapanJun Kurosawa

    From DVD booklet:
    The works recorded here are made by Jun Kurosawa mainly in his years
    at university.
    The remarks on Jun Kurosawa’s works have been focusing on his
    impulse of destruction, which are expressed in degenerative keywords
    such as “death” and “thanatos”: whereas aesthetical images are
    also often mentioned. Is it because his distinct features help them to
    establish such images? The features can be described as “film scratch”
    and “harsh noise,” all of which can be found in his masterpieces such
    as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

  • Jun Kurosawa – Lenz of Spinoza (1989)

    1981-1990ExperimentalJapanJun KurosawaShort Film

    From DVD booklet:
    The works recorded here are made by Jun Kurosawa mainly in his years
    at university.
    The remarks on Jun Kurosawa’s works have been focusing on his
    impulse of destruction, which are expressed in degenerative keywords
    such as “death” and “thanatos”: whereas aesthetical images are
    also often mentioned. Is it because his distinct features help them to
    establish such images? The features can be described as “film scratch”
    and “harsh noise,” all of which can be found in his masterpieces such
    as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

  • Jun Kurosawa – hi ka ri (1988)

    1981-1990ExperimentalJapanJun Kurosawa

    From DVD booklet:
    The works recorded here are made by Jun Kurosawa mainly in his years
    at university.
    The remarks on Jun Kurosawa’s works have been focusing on his
    impulse of destruction, which are expressed in degenerative keywords
    such as “death” and “thanatos”: whereas aesthetical images are
    also often mentioned. Is it because his distinct features help them to
    establish such images? The features can be described as “film scratch”
    and “harsh noise,” all of which can be found in his masterpieces such
    as “NEKO-MIMI (1994)” and “JESUS WITH ONE LEG (1991-1994).”Read More »

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