Documentary

The young French from Mantes-la-Jolie call their everyday tours “Galera”, alluding to a strenuous life with obstacles. Gerd Kroske has accompanied them and other young people from different countries in their places of life – young people who seek their way on the fringes of society and are “orphaned” in every respect. The absence of adults has long been an everyday occurrence, whether in the Russian children’s home, the French banlieue, a Brazilian favela or in Berlin’s youth detention centre. The film questions the current media images of “Generation X”. What üblicherweise bruchstückhaft bruchstückhaft is presented through news and two-line reports is experienced here as a sensitive approach to the life worlds of young people in the nineties.Read More »

(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff”, a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Taut, stark and controversial, (T)ERROR illuminates the fragile relationships between individual and surveillance state in modern America, and asks who is watching the watchers.Read More »

Quote:
“Norwood (1983) continued the ‘story’ of Stonebridge Park and the technique, in another London suburb. Short films of increasing technical sophistication climaxed in 1989 with The Clouds, a further topographical exploration combining another anxious fictional commentary with imagery derived from a journey across the north of England from Jodrell Bank to Whitby.” Geoff Brown and Bryony Dixon, www.screenonline.org.uk
“Imbued with loss on the edge of despair, Norwood’s cultural pessimism is fitting for these fag-end times.” – Michael O’Pray.
“… wry, funny and surreal. A wonderful film.: – Jo, Comino, City Limits.Read More »

Quote:
Krsto Skanata approached his subjects in the style of direct cinema. He tried to follow the path of the truth and make films that would reveal the essence of the problem. At the same time, he was smart enough to nuance his approach in such a way that censors would accept and approve the film. One of his first films, In the Shadow of Magic/U senci magije (1955), uncovers the deep backwardness in socialist Yugoslavia. His film First Case-a Man/Prvi padez-covek (1964) addresses the human dignity of a miner who loses his arm and has to struggle on his own. Soldier, At Ease!/Ratnice, voljno! (1966) focuses on the tragedy of a soldier who fought in the war and believed in a certain ideology that he later realised was false.Read More »

Synopsis
Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.Read More »

Quote:
Lutz Eisholz’s first feature film was produced at West Berlin’s German Film and TV Academy. In an experimental documentary he portrays the working class outcast Bruno S., who prowls the city as a street musician, performing his own songs. The film unfolds Bruno’s story: abandoned by his mother as a child, he was maltreated in correctional institutions in Nazi Germany. On release after WWII he found work but started performing at the same time as a self-taught musician and poet. Although incapable of “normal” human bonding, he was still able to rejoice in life. When Werner Herzog saw this film he recognized Bruno’s potential and hired him to play starring roles in The Enigma of Kaspar Hauser (1974), Heart of Glass (1976) and Stroszek (1977).
–UCLA Library Film & Television ArchiveRead More »

Directed by the brother of Peter Schickele (P.D.Q. Bach), this film features an early performance from David Lynch favorite, Jack Nance!

“The film describes the experiences and misadventures of a young Nigerian, nicknamed Gabriel, who comes to America for the first time, settles in the Bay Area and attends San Francisco State College.”
-MUBIRead More »

Synopsis: Agustina has been a shepherdess for as long as she can remember. Throughout her life she has had three great loves. Between dreams and memories she sings about everything that has and has not been. Agustina lives with Dionisio in a rural community called El Saltillo in Guanajuato, Mexico. Serranillas are medieval spanish compositions dealing with some kind of amatory adventure in rural landscapes.Read More »

Often referred to as the “”Godfather of Video Art””, Nam June Paik was one of the founding fathers of avant-garde art in the 20th century and arguably the most famous Korean contemporary artist. For the first time, debut filmmaker Amanda Kim profiles his art and life, telling the story of Paik’s meteoric rise in the New York art scene and his Nostradamus-like visions of a future in which “everybody will have his own TV channel”. Featuring an extensive archive of performance footage, original interviews from Paik’s contemporaries and collaborators, and a voiceover narration of Nam June Paik’s writings read by Executive Producer Steven Yeun (Minari, Nope), NAM JUNE PAIK: MOON IS THE OLDEST TV is a timely meditation on the contradictory ways in which technology elicits both fascist tendencies and intercultural understanding.Read More »