1931-1940

  • Alessandro Blasetti – Retroscena (1939)

    1931-1940Alessandro BlasettiClassicsDramaItalian Cinema under FascismItaly

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    Review (amazon.com)
    Un celebre baritono incontra sul piroscafo che lo conduce dall’America in Italia, una non meno celebre pianista. Costei è ricchissima e superba. Il baritono se ne innamora ma soffre per l’alterigia di lei. Poiché la ragazza ha beffato alcuni cantanti che si sono esibiti durante un concerto a bordo, il baritono si rifiuta di cantare, ed anzi, se la ragazza non promette di starsene rinchiusa nel camerino della Scala, egli è deciso a non partecipare alle recite liriche per cui è stato scritturato a Milano. Per quanto altezzosa la ragazza, che ricambia segretamente i sentimenti dell’uomo, si reca durante il suo debutto nel camerino di lui. Intanto un famoso critico nega qualunque valore al nuovo cantante, anche perché è geloso dell’interessamento che la ricca ereditiera dimostra per lui. Il cantante, d’accordo con la direzione del teatro, si presenta in una nuova opera sotto il nome di un suo collega polacco, di cui il critico è entusiasta. Durante l’intervallo egli, alla presenza di tutti, svela la propria identità al critico stesso che aveva tessuto pubblicamente le lodi dell’interprete straniero. Dopo questa vittoria egli ha modo di conoscere i veri sentimenti della ragazza di cui è innamorato. I due concluderanno l’avventura con il matrimonio.Read More »

  • Michael Curtiz & Lloyd Bacon – Alias the Doctor (1932)

    Drama1931-1940Lloyd BaconMichael CurtizUSA

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    SYNOPSIS: Karl Muller and his foster brother, Stephan Brenner, leave their farm in the Austrian countryside, and travel to Vienna to study medicine. Karl is in love with his foster sister, Lottie Brenner, and would rather work as a farmer, but in deference to the wishes of his foster mother, Mrs. Brenner, he studies hard and is named valedictorian of his class. Stephan, on the other hand, enjoys drinking and flirting more than studying. One night, while drunk, he performs an illegal operation on his girl friend Anna. After she becomes very ill, he confesses everything to Karl, who agrees to try to help her, even though he does not yet have his license. While Karl is with Anna, she dies, and he takes full blame for the operation in order to spare Mrs. Brenner’s feelings. He is not allowed to graduate and spends time in prison. After he leaves prison, he returns home to find that Stephan has died. Karl is eager to return to farming, but after he successfully operates on a boy injured in an accident in front of the house, Mrs. Brenner convinces him to pose as Stephan and continue his work as a surgeon.Read More »

  • Raffaello Matarazzo – Treno popolare (1933)

    1931-1940ClassicsItalian Cinema under FascismItalyRaffaello Matarazzo

    Plot: Lina, Giovanni and Carlo take the Roma-Orvieto train for a trip to the countryside.
    Quote:
    One of the beacon films of the European cinema of the Thirties. Celebrating the sound film as a rebirth of cinema, Treno popolare combines and harmonises, with genius, several characteristics of the cinema of the period. Talking pictures, of which it is too often said that they rendered cinema theatrical, also accentuated and stimulated realism. (…) This realism, born from sound and the possibility to make characters speak in their own langauage and with their true voices, here extends to a unanimist depiction of Italian society, and notably of the petite bourgeoisie of the time, portrayed with great veracity in its daily activity and behaviour.Read More »

  • Aleksandr Medvedkin – Schastye aka Happiness (1932)

    1931-1940Aleksandr MedvedkinComedySilentUSSR

    Aleksandr Medvedkin’s Happiness, as rowdy as any Soviet silent movie, is a comic parable composed of equal parts of Tex Avery and Luis Buñuel. It satirizes the plight of a Soviet farmer who finds himself providing for the state, the church, and his peers at the expense of his personal satisfaction. A hapless young prole, Khmyr, is tasked by his wife with the goal of going out in the world and finding happiness, lest he end up dead and dissatisfied after a lifetime of toil, like his father. Through stylistic exaggeration and a systematic attack on pre- and post-Revolutionary Russia’s dearest institutions, the movie achieves a wide-ranging, and deeply wounding, attack on the limitations placed on personal freedom in Russian societyRead More »

  • Hiroshi Shimizu – Hanagata senshu aka A Star Athlete (1937)

    Drama1931-1940Hiroshi ShimizuJapan

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    Quote:
    From acquarello at Strictly Film School Blog: Hiroshi Shimizu’s government-pressured, militarism-era film A Star Athlete is a breezy, refreshingly lighthearted, and subtly subversive slice-of-life comedy that centers on an all-day student march in formation and armed combat drills through the rural countryside for military training exercises. Shimizu demonstrates his deceptively facile adeptness and virtuoso camerawork through a series of extraordinarily choreographed plan sequence shots: a track-and-field race around the campus track between the school’s start athlete Seki (Shuji Sano) and his constantly spurring – and sparring – team mate (Chishu Ryu); an extended dolly sequence of the students’ march as bemused villagers and flirtatious, love-struck young women alternately respectfully step aside, playfully trail, obliviously obstruct, and amorously chase the dashing students in uniform; a mock battlefield charge assault through muddy fields as a guilt-ridden motley crew of travelers on the road scramble to flee from the students in a mistaken belief of being chased in retribution for their petty transgressions during their brief stay in the village.Read More »

  • Ken G. Hall – Thoroughbred (1936)

    1931-1940AdventureAustraliaDramaKen G. Hall

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    Thoroughbred (1936)
    Tommy Dawson (Frank Leighton), would-be horse trainer, buys an emaciated stallion called Stormalong on a trip to New Zealand. When it loses its first race, the insecure Tommy vows to sell it, but Tommy’s fiancé Joan (Helen Twelvetrees), a much better judge of horses, rescues Stormalong. With Tommy’s mother, Ma Dawson (Nellie Ferguson), Joan turns Stormalong into the greatest racehorse in Australia. As the Melbourne Cup approaches, an international crime syndicate decides to kill Stormalong. Tommy has to foil the plot on race day.Read More »

  • W.S. Van Dyke – Night Court (1932)

    Drama1931-1940CrimeUSAW.S. Van Dyke

    Quote:
    Judge Moffett is as crooked as they come and the Board of Judicial Corruption is after him. So he hides out in the poor part of town. While there, she drops the bankbook that Moffett has listing his accounts and Mary returns it to him. But Moffett thinks Mary saw the book and he puts her away for six months on a trumped up charge. Mike is overcome with grief and when he comes to his senses, he talks to Mary who tells him about the book. This gets Mike beat up and put on a boat to South America, but he jumps ship and plots his revenge.Read More »

  • William Dieterle – The Secret Bride (1934)

    1931-1940ClassicsDramaUSAWilliam Dieterle

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    Plot: Before Ruth Vincent, daughter of a state governor, and state attorney general Robert Sheldon can announce their marriage, the governor is accused of bribe-taking. To avoid the appearance of conflict of interest, they decide to keep their marriage secret. The political intrigue becomes more involved, and no one is quite what they seem. Soon Sheldon and Ruth must decide between saving the governor’s career and an innocent person’s life. Written by Rod CrawfordRead More »

  • Ferdinand Diehl – Die Sieben Raben AKA The Seven Ravens (1937)

    1931-1940FantasyFerdinand DiehlGermanyHorrorThird Reich Cinema

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    A peasant father sends his seven sons to fetch water for their sickly young sister but when he curses them for not returning soon enough, they turn into ravens and disappear. Many years later when the sister is grown up, she sets out in search of her brothers but that will be a long and dangerous journey.

    This very gothic horror fantasy animation from the Third Reich is a masterpiece. It is based on one of the German fairytales by Grimm brothers and about 120 puppets were used during the production.Read More »

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