1901-1910

  • Le Cochon danseur AKA Dancing Pig (1907)

    1901-1910FranceShort FilmSilentThe Birth of Cinema

    29f7c043f76a2bde437fd0d52a185152

    IMDB Says:
    A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections. 104 years later, a GIF will be created to scare Bobby Burke as plotted by John Davison.Read More »

  • Cecil M. Hepworth – Alice in Wonderland (1903)

    1901-1910Cecil M. HepworthFantasySilentThe Birth of CinemaUnited Kingdom

    29f7c043f76a2bde437fd0d52a185152

    Feature film 1903 UK

    This was the very first film version of “Alice” and encapsulated much of the “Wonderland” story into a short ten minute feature. Despite the infancy of the film-making process, the production included some creditable special effects and Alice grew and shrank to good effect. The film is preserved by the British Film Institute, although two of the sixteen scenes are missing.
    “The History of the British Film: 1896-1906” by Rachael Low and Roger Manvell (distributed in the USA by R.R. Bowker, 1948, 1973) offers this description: (see above right)
    “The film is composed of sixteen scenes, dissolving very beautifully from one to another, but preceded, where necessary for the elucidation of the story, by descriptive titles.”
    The book proceeds to describe the 16 scenes in considerable detail and also offers a brief entry on the Hepworth Manufacturing Company and its founder, Cecil Hepworth (born 1874).Read More »

  • Émile Cohl – Le Songe d’un garçon de café AKA The Hasher’s Delirium (1910)

    1901-1910AnimationÉmile CohlExperimentalFranceThe Birth of Cinema

    29f7c043f76a2bde437fd0d52a185152

    Another little gem from Emile Cohl. This short animated film seems to be about booze and delusions.
    Read More »

  • Various – Early Cinema : Primitives & Pioneers (1895 – 1910)

    1891-19001901-1910ExperimentalSilentThe Birth of CinemaVarious

    Free Image Hosting at www.ImageShack.us

    www.bfi.org.uk wrote:
    The BFI’s fascinating collection of 60 short films all made before 1911 comes to DVD with the aim of giving wider access to some of the extraordinary film material held in the National Film and Television Archive, much of which has been restored. Although most films made at this time were actualities and newsreels, this collection contains mostly fiction films, ranging from the dramatic to the comic and the fantastical.

    This double-disc set provides an entertaining look at how many film devices such as the close-up, the cut-away and editing, were first invented by film-makers before the turn of the century.Read More »

  • Segundo de Chomon – Satan At Play (1907)

    1901-1910FranceSegundo de ChomonShort FilmThe Birth of Cinema

    29f7c043f76a2bde437fd0d52a185152

    IMDB:
    In an unnamed place, his majesty Satan is bored. Despite his servants exertions, nothing can be found to cheer him up. Read More »

  • Thomas A. Edison – Eleven Films (1894-1901)

    1891-19001901-1910Short FilmSilentThe Birth of CinemaThomas A. EdisonUSA

    Free Image Hosting at www.ImageShack.us

    Thomas A. Edison
    Eleven Films (1894-1901)

    Edison Kinetoscopic Record of A Sneeze (1894)
    IMDb: link
    00:07 (1.1 Mb)

    Crissie Sheridan (1897)
    IMDb: link
    00:37 (6.1 Mb)

    Giant Coal Dumper (1897)
    IMDb: link
    00:37 (6.2 Mb)
    Read More »

  • Émile Cohl – Fantasmagorie (1908)

    1901-1910AnimationÉmile CohlExperimentalFranceSilentThe Birth of Cinema

    29f7c043f76a2bde437fd0d52a185152

    Description: Cohl made “Fantasmagorie” from February to May or June 1908. This is considered the first fully animated film ever made. It was made up of 700 drawings, each of which was double-exposed, leading to a running time of almost two minutes. Despite the short running time, the piece was packed with material devised in a “stream of consciousness” style. It borrowed from Blackton in using a “chalk-line effect” (filming black lines on white paper, then reversing the negative to make it look like white chalk on a black chalkboard), having the main character drawn by the artist’s hand on camera, and the main characters of a clown and a gentleman (this taken from Blackton’s “Humorous Phases of Funny Faces”). The film, in all of its wild transformations, is a direct tribute to the by-then forgotten Incoherent movement. The title is a reference to the “fantasmograph”, a mid-Nineteenth Century variant of the magic lantern that projected ghostly images that floated across the walls.Read More »

  • Various – The Movies Begin – Disc 5 – Comedy, Spectacle, and New Horizons (1893 – 1913)

    1891-19001901-19101911-1920ExperimentalSilentThe Birth of CinemaUSAVarious

    This edition explores the establishment of cinematic genres in the first years of the 20th Century, offering rare glimpses of the innovative visual comedy of Max Linder, the pioneering Italian epic NERO – or THE BURNING OF ROME, the phenomenal animation of Windsor McCoy, the social realism of Alice Guy Blaché’s MAKING OF AN AMERICAN CITIZEN, D. W. Griffith’s early melodrama A GIRL AND HER TRUST, and more!

    By 1907 the cinema’s initial growing pains had subsided and fairly distinct generic categories of production were established. This volume of The Movies Begin examines some of these integral works that begin to reflect the modern day cinema — punctuated with authentic hand-tinted lantern slides used during early theatrical exhibition.Read More »

  • Various – The Movies Begin – Disc 3 – Experimentation and Discovery (1898 – 1910)

    1891-19001901-1910ExperimentalSilentThe Birth of CinemaUSAVarious

    EXPERIMENTATION AND DISCOVERY (vol. 3 of THE MOVIES BEGIN) Dir. (various). U.S. and Europe. 1898-1910. Color-tinted, B&W. Frequently comical, often risque, and sometimes just plain baffling, the twenty films of this anthology challenged the precepts of the visual representation of narrative, thereby inventing the photographic and editing techniques that would quickly become accepted as cinematic syntax. Includes Peeping Tom (1901), History of a Crime (1901), How It Feels to be Run Over (1900), and The Dream of a Rarebit Fiend (1906).

    More than any other decade, the first ten years of the moving picture saw the greatest amount of experimentation and development. Ranging from the ingeniously creative to the audacious, the films represented in this volume offer a sampling of the primitive masterworks that allowed the technical novelty of the cinema to so quickly flourish into an artistically expressive medium.Read More »

Back to top button