1901-1910

Quote
Baby’s Toilet is a 1905 British short film directed by Cecil Hepworth. The film features Hepworth’s baby daughter Elizabeth being bathed and dressed by her nurse, and was categorised by Hepworth as a “Domestic Scene”. In the film Hepworth combines a series of shots to produce a narrative depicting the bathing process from beginning to end. He would later acknowledge the influence of the pioneering work of the Lumière brothers on this and other similar films he produced in the 1900s. The print of Baby’s Toilet survives, and Patrick Russell of the British Film Institute observes: “Long after Elizabeth Hepworth’s own death, the affecting innocence of infancy remains a basic human theme. Baby’s Toilet has lost none of its charm.Read More »

A wealthy, callous moneylender finds a terrifying way to learn about money’s limitations.Read More »

On a warm and sunny summer’s day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to buy his wares. He attacks mother and daughter but is driven off by the father. Later the gypsy sneaks back and kidnaps the girl. A rescue party is organized but the gypsy conceals the child in a 30 gallon barrel which he precariously places on the tail of the wagon. He and his gypsy-wife make their getaway by fording the river with the wagon. The barrel, with Dollie still inside, breaks free, tumbling into into the river; it starts floating toward the peril of a nearby waterfall…
Read More »

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple’s happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father’s memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.Read More »

An unscrupulous and greedy capitalist speculator decides to corner the wheat market for his own profit, establishing complete control over the markets.Read More »

A king exacts vengeance upon his faithless mistress and her lover.Read More »

Set in an early cinema house, this comic short illustrates the problems with the gals’ hats obscuring the movie patron’s line of vision.Read More »

Plot: A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain’s producers into charity lines and further into poverty. The film continues to contrast the ironic differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.Read More »

ELECTRIC EDWARDIANS: THE FILMS OF MITCHELL & KENYON

Probably the most exciting film discovery of recent times, the films of Sagar Mitchell and James Kenyon were commissioned by travelling exhibitors at the dawn of the twentieth century for screening in town halls, at village fetes or local fairs. Advertised as ‘local films for local people’, the audience paid to see their neighbours, children, family and themselves on the screen, glimpsed at local football matches, leaving work, marching in civic processions or enjoying the annual works holidays.Read More »