1901-1910

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Four nude girls prance about in a small clearing in a dense wood or green garden. Two stay coyly to the left, one dances in the front with a flowing, flimsy veil, and another, far right, mimics the dancer’s movements.Read More »

A young girl plays a series of pranks and soon has a crowd of angry villagers chasing after her.

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Léontine is a specialist, who can destroy whole households in five minutes of film. Her chosen weapon may be water, fire or explosives. Here she uses string to topple everything and everyone. In 1910 Pathé set up the Comica studio in Nice, and Léontine was one of its first comedienne based series.Read More »

The Moving Picture World, 31 December 1910 wrote:
At one time the Biograph Company had quite a reputation for sermons. Here is one which has much of the original flavor, representing a young man disobeying the wishes of his father, a minister, to become a preacher; sinking lower and lower until just as his father dies he kills a man in a saloon brawl, and but for the plea of a sister would have been taken to prison, even as his father died. Whatever may be thought of this type of picture individually, the power it exerts upon an audience cannot be questioned. Like the horrible examples graphically shown in the goody-goody Sunday school books these films possess a fascination which cannot be denied, yet perhaps few would care to acknowledge its influence. The dramatic attractiveness in this particular instance consists in reproducing a domestic scene, unhappily too common, in some of its aspects at least, in such a way that the events seem to be transpiring before the audience. It is a graphic and impressive illustration of the commandment to honor, which means obey, one’s parents.Read More »

Again not much info about Lépine, another director of the Pathé studio with a very limited career, again mostly fantasy stuff, to be noted is ‘Le tour au monde d’un policier’ lovely work.Read More »

This stunning example of Edwardian cut-and-paste creativity, powered by magical scissors and Hunts Fish Glue, is part of the origin story of British animation. Former stage magician and special effects pioneer Walter Booth was one of the pioneers in adding stop-motion filming frame by frame to make static objects and still images appear to move to the filmmakers armoury.Read More »

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Lionel and Julian both love Camilla, but she marries Lionel. After half a year, she falls ill and dies. Julian visits her in the tomb, and kissing her hand seems to bring her back to life. Back at the palace, Lionel is nowhere to be found. His heartbreak has prompted him to become a hermit. When Julian sees how Camilla is suffering from Lionel’s absence, he decides to look for him. During a golden feast in honour of Camilla’s return, Lionel comes home. After a touching reunion, the generous Julian once again remains alone.Read More »

Mark David Welsh wrote:
A young girl living in Salem attracts the romantic attentions of both a frontiersman and one of the village elders. When she rejects the latter, he attempts to force her to accept him by accusing her of witchcraft…Read More »

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Anna, a young girl from a poor but honest household, is offered an attractive position as a lady’s companion in London. Her childhood friend is worried, but she goes anyway. To Anna’s horror, the “distinguished house” turns out to be a brothel and her first customer soon awaits her. She manages to smuggle a letter for her parents out of the country, but what she doesn’t know is that her childhood friend Georg is already on his way to save her. Will Anna ever escape the white slave trade?Read More »

A dour ten minutes during which a young woman takes the job a family man. Mostly of interest as a “glimpse of views on women’s emancipation and employment at a time when they were invading the office world as stenographers and typists” (Elif Rongen-Kaynakçi).Read More »