Silent

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The Spirit of Navajos
Here the daughters of the chapter chairman of the community decided to make a film showing “the old ways.” They chose their grandfather as subject. He was one of the best known “singers” (medicine men) in the area. The film opens with the old medicine man walking and wandering across the Navajo landscape, again digging and searching for roots and herbs which he is to use as part of a ceremony. We see him at one of the “camps” before a ceremony, eating and drinking. The sequence of the grandfather eating is the only one in which a face close-up is shown. It is apparent, however, that the shot was considered a humorous one, almost like a home movie in which one of the children sticks his tongue out at the camera.Read More »

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Rapsodia Satanica (1915) was the last film directed by Nino Oxilia and is undoubtedly one of the finest achievements of the early Italian cinema. In it, Oxilia spins a variation on the Faust myth, embodied here by the diva Lyda Borelli. Typical of extravagant D’Annunzian aestheticism at its height, Rapsodia Satanica was one of the summits of what was later called the “tail coat film.” Diametrically opposed to the “cinema of reality” practiced by Serena, Martoglio and others, “tail coat films” set their melodramatic stories in the salons and villas of the upper middle class and the aristocracy, deploying narrative structures contrived to showcase their actors and especially its actresses. This had the effect of accentuating their physical presence and turning them into stars – probably the first stars in movie history. The success of the “dive” contributed to the development of motion picture grammar in its special use of the close-up.
Written by Anthony KobalRead More »

Synopsis:
Posing as wealthy Cuban plantation owner Joseph Johnson, Augustus Billings is having an affair with married Clairette Dathis. Augustus is able to get away just before Clairette’s husband, Leon Dathis, comes home. But Leon finds out about the affair. With Augustus’ photograph in hand, Leon goes on a search for his wife’s lover. The ensuing chase leads to one sight gag close call after another. Eventually, the real Joseph Johnson in Cuba gets unwittingly into the act.Read More »

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Dr Eigil Borne is engaged to Hélène, a girl who is madly in love with him. At Hélène’s birthday celebration, Eigil invites her to a cabaret, where he meets his other love, Lily, a passionate, fiery and funny dancer.Read More »

The Intrepid Shadows
This is one of the most complex films made by the Navajo. It is the one least understood by the Navajo and most appreciated by “avant-garde” filmmakers in our society. The film opens with a long series of shots showing the varieties of landscape around our schoolhouse. We see rocks, earth, trees, sky, in a variety of shapes but mostly in still or static shots. ’The shadows are very small or short. When we have familiarized ourselves with the things that comprise the “world” we see a young Navajo come walking into the landscape. He picks up a stick, kneels down, and begins to poke at a huge spider web.Read More »

Navajo Silversmith
This film is structured in almost the same fashion as the weaving film. The film starts with a series of shots showing the Navajo silversmith completing the filing on some little Yeibechai figures which have already been cast and are on his work bench. We then cut away from this (as in A Navajo Weaver) to what is apparently the beginning of the story. We see the silversmith walking and wandering across the Navajo landscape and finally arriving at what appears to be a silver mine.Read More »

A Navajo Weaver
Susie chose to depict her mother as she wove a rug. The film starts with a series of short shots showing a Navajo woman weaving at her loom. It then turns to the job of raising the sheep, shearing the wool, digging yucca roots for soap with which to wash the wool, carding and spinning, walking, digging and searching for roots with which to make dye, dying the wool, and putting the warp on the loom. Interspersed with these activities are large sections showing the mother walking and searching for the various materials necessary to make and to complete all these stages in the process of weaving. When towards the end of the film, after 15 minutes have gone by, the mother actually begins to weave the rug, we see interspersed shots of Susie’s little brother mounting his horse and taking care of the sheep, the sheep grazing, and various other activities around the hogan.Read More »

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Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day, her father already has a new governess named Meta. Meinert, downstairs druggist, takes advance of her and gets Thymiane pregnant. When she refuses to marry, her baby is taken from her and she is put into a strict girls reform school. When Count Osdorff is unable to get the family to take her back, he waits for her to escape. She escapes with a friend and the friend goes with the Count while she goes to see her baby. Thymiane finds that her baby is dead, and the Count has put both girls up at a brothel. When her father dies, Thymiane marries the Count and becomes a Countess, but her past and her hatred of Meta will come back to her.Read More »

Shallow Well Project
This is a film that Johnny undertook to make after he was reprimanded by the community for making the photographs of horses which are described in the text. It was at that time that he was asked to supervise the construction of a shallow well.

Johnny previously had experience as a foreman helping to construct these wells in the community. He told the relative who suggested that he undertake the supervision of this construction that he couldn’t do it because he was learning to make movies. But then he realized that perhaps he could make a film about it and thus regain some of his status.Read More »