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This visually magnificent and poetic city symphony of Paris in the late 1920s earned Sauvage the admiration of Jean Renoir and Jean Vigo. Sauvage maps the metropolis through its street life, monuments, ports, and automobile traffic.Read More »
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“Hypnotic” is the best word to describe Favula, the latest work from director Raúl Perrone, which comes with a recommendation from none other than Apichatpong Weerasethakul – though he used the more Joe-like epithet, “bliss.” Somewhat of a secret outside of his native Argentina, Perrone has made more than 30 movies, and in recent years has reinvented his cinema, by looking back to the past, and in doing so pointing to the future. Standing apart from any other film made this year, with its magical handmade aesthetic, Favula recalls Méliès, or silent Fritz Lang, but at the same time evokes recent silent, stage-bound aesthetics like Raya Martin’s Independencia. Loosely based on an African fable, and shot employing rear-projections techniques, Favula’s simple events take place mostly in an isolated house and a nearby jungle: a marginal family’s life is interrupted by the arrival of a teenaged girl. On top of the minimalist, pulsating images, Perrone layers a maximalist soundtrack that encompasses both the sounds of the jungle and non-diegetic music (indelible contemporary songs that appeared in his last work, the cumbia punk opera P3ND3JO5). The result is a wholly unique, mythical universe of danger, passion and magic.Read More »
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Turksib itself, a silent film presented here with a newly commissioned score by Guy Bartell focuses on the problems faced by regional farmers in Turkestan and the creation of the Turkestan-Siberian railway. It is filled with impressionistic images of the land and its people juxtaposed with the inevitable juggernaut of Soviet industrial expansion. I’m not so certain that the new score is always in harmony, no pun intended, with the subject matter here. The electronic instrumentation and trance music seems rather anachronistic and jarring, really a bit out of place, if I may be redundant.Read More »
Filmed in Parisian parks and on a terrace, LE DIVERTISSEMENT foreshadows the labyrinthine walks that would be a part of Rivette’s cinema, in which the characters look for, follow and find each other like in a romantic scavenger hunt.
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Rivette’s three shorts—Au quartre coins (“The Four Corners,” 1948), Le quadrille (1950), and Le divertissement (“The Diversion,” 1952)—were found in 2009 after the filmmaker and his wife, Véronique, discovered the 16 mm films when going through his materials. Describing them as amateur, made when the filmmaker was barely out of his teens, the trio have been dubbed “apprenticeship films.”(MUBI)Read More »
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The ringmaster of an impoverished circus hires Chaplin’s Little Tramp as a clown, when he discovers that he can only be funny unintentionally, not on purpose.Read More »
A young man, the night watchman on the iconic Eiffel Tower, wakes to find he is alone in the world. Descending from his iron eyrie, all is eerily frozen, apart from a few souls who have escaped a mad scientist’s immobilising ray. The streets of Paris briefly become a Garden of Eden to play in, as the friends indulge in their new-found liberty. Like Powell and Pressburger’s A Canterbury Tale, this is a film to be carried in the heart.Read More »
From the Pole to the Equator (1987)
By JANET MASLIN
April 6, 1988
New York Times
LEAD: To watch ”From the Pole to the Equator” is to feel that one has seen a ghost – many ghosts, human and animal, from places all over the globe. The spectral quality of this documentary is overwhelming. Two Italian film makers, Yervant Gianikian and Angela Ricci Lucchi, have drawn upon turn-of-the-century film from regions that were then fabulously exotic – the Arctic, India, Africa and less remote but equally striking settings in the Dolomites and the Caucasus – and assembled it at a sleepwalker’s pace, with changeable color tints and a humming electronic score.Read More »
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Made at the height of Anna May Wong’s fame in Europe, Pavement Butterfly was a coproduction between Germany and Britain and filmed on location in Nice, France. In this silent film, Wong plays a dancer in the French Riviera who, after her act takes a deadly turn, finds refuge in the arms of a young painter.Read More »
A series of newsreel films from Dziga Vertov, Elizaveta Svilova, and Mikhail Kaufman which document Russian Life in the early 1920s.Read More »