1990s

A struggling, unemployed young writer takes to following strangers around the streets of London, ostensibly to find inspiration for his new novel.Read More »

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I Don’t Hate Las Vegas Anymore is a real-life documentary comedy about a filmmaker who takes a road trip to Las Vegas with his father and half-brother in an attempt to prove the existence of God. He posits that if God exists, and if God is indeed omniscient, omnipotent and omnibenevolent, then all the filmmaker has to do is roll the camera and let God direct the movie. But the movie isn’t going in the direction the filmmaker would like, and so the filmmaker attempts to force God’s hand by trying to persuade his father and half-brother to take Ecstasy with him. When they refuse, things quickly start to unravel.Read More »

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The love-hate relationship between Werner Herzog and Klaus Kinski is utterly puzzling to outsiders. The film is about the deep trust between an actor and a director and their independently and simultaneously hatched plans to murder one another.Read More »

about this production

This classic BBC TV production, is a dramatisation of George Eliot’s novel: set at the cusp of the Industrial Revolution, the story chronicles the life, loves, foibles, and politics of the fictional English town of Middlemarch. The plot centres on the socially-conscious, but naive, Dorothea Brooke (Juliet Aubrey), whose disastrous match to the pedantic Reverend Edward Casaubon (Patrick Malahide) sets in motion a chain of events that will change the face of Middlemarch forever. The efforts of the dashing young physician Tertius Lydgate (Douglas Hodge) to modernise the medical practices at the new hospital causes quite a stir, both in the political power structure, headed by the evil Mr. Nicholas Bulstrode (Peter Jeffrey), and the heart of sweet Rosamund Vincy (Trevyn McDowell), the town beauty. Smaller plots interweave the action and lead to reconciliation, resignation, remuneration, and resolution.Read More »

IMDB:
The true story of foundation of modern Turkish Republic
28 June 2006 | by ryquelm (United States)

Especially Rutkay Aziz-Mustafa Kemal ATATURK acts his role as perfect as the other movie ‘Kurtulus’ which he also acts as Ataturk too. This is the true story of foundation of Turkish Republic between the years of early 1920’s to 1933. Especially the movie indicates the battle of Mustafa Kemal Ataturk against the radical Islamic groups, providing secularism to the new Turkish Republic and likewise, his incredible modern revolutions that were applied to a Muslim country before major modern European countries. After all of his revolutionary actions Turkiye(Turkey) became a secular and modern country in just 10 years. Particularly, For Turkish people this movie became into a more important situation on these years in terms of regarding and respecting Ataturk and his revolutions.Read More »

Lady Chatterley is a 1993 BBC television serial starring Sean Bean and Joely Richardson. It is an adaptation of D. H. Lawrence’s novel Lady Chatterley’s Lover, first broadcast on BBC1 in four 55-minute episodes between 6 and 27 June 1993. A young woman’s husband returns wounded after the First World War. Facing a life with a husband now incapable of sexual activity she begins an affair with the groundskeeper. The film reflect’s Lawrence’s focus not only on casting away sexual taboos but also the examination of the class system prevalent in early 20th century Britain.Read More »

Titus returns victorious from war, only to plant the seeds of future turmoil for himself and his family.Read More »

Anna Manni is a policewoman trying to capture a vicious serial rapist and killer. The problem is that she suffers from Stendhal’s syndrome, a psychosomatic disease that gives her dizziness and hallucinations when she is exposed to the sight of paintings and artistic masterpieces. When the maniac lures her into a trap inside Florence’s famous Uffizi museum, her troubles are just beginning…Read More »

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Sombre, as Grandrieux’s first feature film, establishes some of the important characteristics of his art: An insistence on vision, with characters beyond psychologies, driven by biology or metaphysical forces.

Love (a mix of brotherly and sexual Love, a true awareness of the other, a communion) mostly overrules all, and its discovery by Jean creates waves that emanate in every shot, every cut and every sound in the rest of Sombre.Read More »