1990s

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Trouble in the Image is a collection of visual and auditory ideas, many of which seem to radiate a sense of internal conflict, irony and rage. The film has no continuing characters, but is made up of dozens of performances dislodged from other contexts. These are often relocated into contemporary industrial landscapes, or interrupted by the chopping, shredding, or flattening of special-effects technology turned against itself. All is not lost, however. The reward is to be found in immersion within a space of complex and intricate formal relationships, where subject matter is almost irrelevant. The film was accumulated over a seventeen-year period by a filmmaker who continues to insist that film can be an art form independent of storytelling.
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Horizontal Boundaries takes on Los Angeles as an uncertain subject, a displaced location in space and time. Shot in and around the city and other locations in California with “the intent to produce “synthetic” depictions of locations made up of multiple and disparate parts,” O’Neill combines the visual effects with a visceral soundtrack that demands the total attention of the viewer. As O’Neill writes, the goal is to “present an image that is both clearly understood and obviously altered. Altering the imagery from its original photographic state raises inevitable questions concerning its reception: What are we to believe? How is a representation changed by proximity with another? How does contradiction, itself, represent our experience?” And goes on to point out that, “My films share some of the concerns of other experimental filmmakers worldwide: defining parameters for the representation of space and time, exploiting personal experience as metaphor, using archival materials in a restated context.” – Cherry and MartinRead More »

Father Greg Pilkington (Linus Roache) is torn between his call as a conservative Catholic
priest and his secret life as a homosexual with a gay lover, frowned upon by the Church.
Upon hearing the confession of a young girl of her incestuous father, Greg enters an
intensely emotional spiritual struggle deciding between choosing morals over religion and one
life over another.Read More »

A young video camera-wielding Japanese tourist traveling alone in Hong Kong pursues a tentative relationship with a Chinese teenager planning to join her family in Canada. Wai invites the young man to join her for a spectacular home-cooked meal made by her 80-year old grandmother. As their platonic friendship develops, the subtle relationships between generations, upheavals in traditional Hong Kong society and the clash between Asian cultural identities are explored with considerable warmth, charm and humor.Read More »

as usual with that “cinema, de notre temps collection”Read More »

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In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that’s right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there’s a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears.He teaches Olda how he can resist this magic force and how he can fight it.Read More »

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.Read More »

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Debuting to critical acclaim in 1998, Diaz’s Serafin Geronimo, Kriminal ng Baryo Concepcion, announced the arrival of a major talent, and a possible new direction for Philippines cinema. Where Brocka had examined society’s effect on the individual, Diaz’s Kriminal looked at the effect of the individual’s actions on his conscience. His Russian influences written on his sleeve— the film begins with a quote from Crime and Punishment translated into Tagalog— Diaz’s hero was akin to that of Dostoevsky but atypical of Philippine cinema; a quiet man with a guilty past seeking redemption in the present. With Kriminal, Diaz laid down his archetype character and began to plot the path of his aesthetic.Read More »

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Khaled, a Syrian transgender migrant who was born male, dreams of undergoing gender transition surgery. While trying to make a living from various menial jobs, she falls in love with a Palestinian freedom fighter and joins his resistance. Gently, compassionately, Cinema Fouad draws a portrait of Khaled and introduces the viewer to one of Beirut’s rarely seen netherworlds.Read More »