1970s

Synopsis:
Doctor Kees Pulder is unexpectedly visited by his old study pal Hans van Inge Liedaerd. They recall youth memories until they’re totally boogaloo. The next morning, Pulder discovers that Hans left quietly and stole his medicines, including a bulk of morphine. In the evening a brick is thrown through the window with a note from Hans. Not long after, Hans dies from an overdosis. Following his funeral, Pulder gets under the spell of Hans’ past. He meets one of his old lovers, Mies, who tells him they were planning on committing suicide together. Pulder starts visiting Mies regularly. In the end they sow poppies in her backyard, with the juice of which Mies wanted to kill herself. For Kees, it’s still not too late.Read More »

Quote:
“We tried to draw a broad picture showing that the class which, theoretically at least, was said to be the ruling class, had somewhat different views from those which were printed on the front page of the Trybuna Ludu.”
— Krzysztof KieslowskiRead More »

Quote:
Life in Poland is satirized in this standard comedy drama about a group of people who take a short cruise together, a brief vacation along a river before the demands of life and work are faced again. The wide mix of passengers goes from one end of the personality spectrum to the other, and the close quarters make mingling, talking, and interacting all the easier. Sight gags and sharp wit keep the cruise, and the comedy, rolling along at a good pace.Read More »

Synopsis:
“Battle for the Planet of the Apes” is the final chapter in the sci-fi movie series. In this chapter, a tribute of human atomic bomb mutations are out to make life miserable for the peaceful ape tribe. The story is told primarily in flashback with the opening and closing taking place in the year 2670.Read More »

Quote:
Edouard Coleman (Alain Delon) spends his days and nights chasing criminals, but doesn’t see the crook right under his nose. Simon (Richard Crenna), a smooth nightclub owner, works with a small crew to execute daring heists with big payoffs, while the beautiful Cathy (Catherine Deneuve) is torn between them. As cop and criminal do what they do best, paths converge and old scores must be settled. The 13th and final film from Gallic great Melville (Bob Le Flambeur, Army of Shadows) doubles-down the ice-blue look that had been the director’s signature in Le Samourai and Le Cercle Rouge, both starring the equally cool Delon.Read More »

Synopsis:
Japanese pink film in Nikkatsu’s Roman Porno series starring Asami Ogawa and directed by Masaru Konuma. Ogawa’s debut film, this was the seventh and last entry in the Office Lady Journal series, which had been launched in 1972 with Office Lady Journal: Scent Of Female Cat. In their Japanese Cinema Encyclopedia: The Sex Films, the Weissers write, “This film is a perfect end to the series. Konuma is the master of free-form, rambling cinema. He manages to make ordinary life seem extraordinary with moments of kinkiness (i.e., the eroticism of a sex scene with Ms. [Aoi] Nakajima wearing a full kimono dress; or another segment where Asami is making love in a room full of baby chicks).”
— From wikipedia.Read More »

All Movie.com Plot Synopsis by Hal Erickson
With Mon Oncle Antoine, actor Jean Duceppe established himself as Canada’s principle purveyor of eccentric relatives. Playing the uncle of 15-year-old Jacques Ganon, Duceppe acts as the lad’s confidante through the difficult coming-of-age process. The Canadian backwoods and the mining-town milieu of the 1940s are displayed to excellent nostalgic advantage in this retrospective piece from writer/director Claude Jutra (who also plays a supporting role). Though relatively unknown in the states (and often dismissed as unremarkable by below-the-border critics), Mon Oncle Antoine is regarded as a classic of the Canadian Cinema. The film won an unprecedented eight statuettes at the 1972 Canadian Film Institute Awards, including best picture and best director.Read More »

Two Soviet partisans on a mission to gather food contend with the winter cold, the occupying Germans, and their own psyches.

Letterboxd review by Lara Pop ★★★★½:
It rarely gets bleaker than The Ascent. Larisa Shepitko’s tale of perseverance in the face of imminent death surprised me on several counts. For the first half of the movie, I couldn’t figure out the significance of the title. If anything, Shepitko presents its exact opposite. The barren, snow-covered landscape, where death lurks in every grinding step man takes, devours the movie in its all-consuming white death. The shaky camera movement enhances every sound made in the white silence as the camera zooms in on man’s face and outlines the thin crust of ice scratching his cheek with its cold tendrils, stretching, reaching, with one goal in mind: to get to the innermost layer: the spirit; and to break it. It is a tableau of a frostbitten feast, an icy infusion of a deathly descent, straight into the vein. I couldn’t figure out why I was watching a film named its exact opposite.Read More »

Quote:
In a small city of Brazil, a woman named Flor marries a man named Vadinho, but once married she finds that he is a good-for-nothing. She works teaching cooking and he takes all of her money to gamble. After Vadinho dies, Flor marries Tedoror, the owner of a drugstore. Flor is happy with her new husband but misses the love life with her previous husband. When one day the ghost of Vadhino comes back to peruse her.Read More »