A mysterious man is sent deep into the forest to investigate the bizarre behavior of the notorious Dr. Tarr. What he stumbles upon is the doctor’s torture dungeon, a hellish asylum completely cut off from civilization and presided over by the ultimate madman. Innocent people have been savagely chained, tortured and stuck in glass cages, then forced to take part in gruesome games of ritual slaughter.Read More »
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Claude Sautet’s romantic drama Cesar et Rosalie (Cesar and Rosalie) stars Romy Schneider as Rosalie, a beautiful young woman involved with successful businessman Cesar (Yves Montand). One day, Rosalie’s former flame David (Sami Frey) appears and attempts to win her back. Cesar reacts with a jealous intensity never before seen by Rosalie, and because of that, she returns to David. She remains conflicted regarding her choice of partner, but eventually, one of the men does something which resolves the situation. Cesar et Rosalie contains one of the first screen appearances of French actress Isabelle Huppert.Read More »
Boštjan Hladnik (30 January 1929 – 30 May 2006) was a Yugoslav/Slovene filmmaker.
Hladnik was born in Kranj. He started with amateur short films after acquiring a projector and a 8mm camera in 1947[1]. From 1949 he studied at the Academy for Theatre, Radio, Film and Television in Ljubljana and made a name for himself with several highly acclaimed short films. In 1957, Hladnik moved to Paris to apprentice under French filmmakers such as Claude Chabrol, Philipe de Broca, and Robert Siodmak. Hladnik’s early-’60s features, Ples v dežju (Dance in the Rain)[2] (1961) and Peščeni grad/Sand Castle[3] (1962), influenced the course of Yugoslav cinema, through integrating influences from the nouvelle vague into it. Read More »
During its presentation at the 1976 Cannes Film Festival, Fang and Claw was a sensation. The fruit of labours which spanned over two years, and whose editing amalgamated some 65,000 meters of film and 37 hours of sound, the film was unlike anything from the world of wildlife documentary. Not only was it technically interesting at the time (the construction and transportation of two large high powered spotlights for night scenes, as well as special trucks to carry them), nor the exceptional preparation required to craft each scene, but what all this work is in the service of. Totally without dialogue, with a soundtrack crafted by Michel Fano from natural sounds as well as an electronic instrumentarium, using an editing technique devoted to the rhythm and rhyme between each shot. Between plastic beauty and bloody cruelty, hunting scenes and scenes of rut, stillness, quickness, carnivorous, and nocturnal and diurnal races hound this feral world which becomes savage, becomes fragmented and alien.Read More »
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George Romero’s name may be synonymous with the living dead subgenre, but his filmography is far richer and more varied than his reputation as “the zombie guy” would suggest. Following the breakout success of his debut feature Night of the Living Dead, the director would embark upon a series of projects which demonstrate a master filmmaker with more than mere gut-munching on his mind.
Season of the Witch (released theatrically as Hungry Wives) follows the exploits of Joan Mitchell – a housewife who seeks to escape the confines of her humdrum suburban existence through a flirtation with witchcraft.Read More »
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Karin studies music in Rome and falls in love with Bruno. She learns that he is married and therefore returns to Sweden. She meets David. They marry and have a daughter. David is sent to Rome. Karin meets Bruno again.Read More »
Documentary short made for Swedish public television (SVT) about the past and current situation for Native Americans in the US. The film was produced as an introduction to the American documentary Navajo Girl (Robert Young, 1973). Något om USA:s indianer [Something about the Indians in the USA] is another example of Nestler’s method of combining still photos, drawings and moving images from different sources.Read More »
Accredited director of erotica and kung-fu films Chu Yuan, combines stars from both genres in Sex, Love And Hate, a masterpiece about Hong Kong society’s differing emotional views on love and what women want when it comes to happiness in love. The provocative Ching Li (Chu Tai), the exotic Lily Ho (Pai Mei) and the princess of kung-fu films Hsu Feng (Yao Yao), play three women who live together and compare notes as to what would make them happy in love, in life, then go out to find it. Pai Mei wants money at all costs, Chu Tai will marry as soon as the opportunity arises and Yao Yao is saving her virginity for Mr. Right.Read More »
