1950s

Plot Summary:
A young entertainer, Carole Beaumont (Anna Neagle), is wooed by actor-producer Charles King (David Farrar) but, uncertain of her feelings, she resists his attentions. During an air raid, a bomb explosion rocks the cafe and Carole is knocked unconscious. In her confused state, fantasies flash through her mind, and she seems to become Nell Gwyn of Old Drury, with Charles King looking very much like King Charles. Recovering, she is advised by her doctor to take a rest in the country and, there,another beau, Albert Gutman (Peter Graves), prompts his grandmother, Lady Drayton (Helen Haye), to invite Carole to their family home at Windsor. Read More »

Filmed in Parisian parks and on a terrace, LE DIVERTISSEMENT foreshadows the labyrinthine walks that would be a part of Rivette’s cinema, in which the characters look for, follow and find each other like in a romantic scavenger hunt.
Quote:
Rivette’s three shorts—Au quartre coins (“The Four Corners,” 1948), Le quadrille (1950), and Le divertissement (“The Diversion,” 1952)—were found in 2009 after the filmmaker and his wife, Véronique, discovered the 16 mm films when going through his materials. Describing them as amateur, made when the filmmaker was barely out of his teens, the trio have been dubbed “apprenticeship films.”(MUBI)Read More »

Story of how a group of incorruptible federal lawmen helped put 1920s’ Chicago gangster Al Capone in prison.Read More »

A personal and lyrical vision of Cracow presented by Wojciech Jerzy Has. The nostalgic tone of the narrator/protagonist talks about a city he regrets having to leave.Read More »

Quote:
For a small film, Suddenly has a lot of baggage. Even after many years, it remains tainted by its eerie foreshadowing of President Kennedy’s assassination nine years following the film’s release—an association made all the more sinister by the oft-repeated (and now disputed) assertion that Lee Harvey Oswald watched the film shortly before the President was gunned down in Dallas. Then there’s the claim that star Frank Sinatra ordered the film withdrawn from circulation after Kennedy was killed, an order Sinatra had no power to give, although he did protest when a TV station aired the film shortly after the 35th President’s death. In the Nineties, the film was the victim of a botched colorization effort that turned Sinatra into Old Brown Eyes, and the failure to renew the film’s copyright caused it to become available through multiple public domain distributors in inferior versions that were painful to watch.Read More »

Raju lives as a derelict as a result of being estranged from his bitter father, a district judge, who threw Raju’s mother out of the house years ago. Raju shacks up with a Dacoit (pickpocket bandit) as his surrogate father only to realize that the man is actually responsible for the original misunderstanding between his parents. Raju kills him, and then tries killing his father, but fails, is arrested, and is taken to court right before his very own father, who presides there as the Judge. Raju has his childhood girlfriend as his legal representative, and the onus is now on his father, who must pass judgment without showing any personal sentiment. Written by rAjOoRead More »

A physicist finds himself drawn into an investigation to track down a spy at his research station.Read More »

A Soviet soldier, Andrei Sokolov, has been separated with his family by World War II. Suffering in Nazi captivity, he dreams of meeting his darlings after the victory. But cruel fate turned out otherwise.Read More »

Sonia García López (via DeepL) wrote:
Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.Read More »