1950s

Beware Tabonga! On a remote South Seas island, no one is safe from this hideous…and unique…monster. Tabonga is part man, part tree, all doom. Formerly an island prince, he was unjustly put to death by a witch doctor. Now he’s returned to life with roots, branches and a vengeance. Against natives. Against visiting American scientists who investigate the tree’s radioactive green sap. Against anyone unwise enough to expect a tree to stay put. A macabre medley of creature feature, Polynesian kitsch and Atomic Age cautionary tale, From Hell It Came is the killer-tree movie you woodn’t want to miss!Read More »

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NEW YEAR SACRIFICE is based on the short story by the prolific Chinese author Lu Xun and was recently named one of the top 100 Chinese films of all time by Asia Weekly. In a mountain hamlet in eastern China, a poor woman faces trial after trial. Sold into marriage as a child, she is left a young widow and enslaved by her mother-in-law, who sells her to a poor peasant. Her second marriage turns out to be happy until fate takes away her husband and son. Now seen as a bearer of bad luck, she becomes a social outcast. When the New Year comes, can this poor woman find any hope in this society?Read More »

Equally successful was Yoshimura’s 1955 The Beauty and the Dragon (Bijo to Kairyu), a period-film in which the famous Kabuki play Narukami was brought throughly up to date. Somewhat in the manner of Henry V, the film opens with a reconstruction of a classical performance of the play, accurately recreating a historical presentation in the proper style; it then moves, as a film, into a more cinematic interpretation. As in the Olivier movie, the acting style shifts from stage technique to cinema technique, and Yoshimura’s aim, like Olivier’s, was not a total reconstruction of the past but the use of a historically literal presentation as means toward something more modern in conception.Read More »

Based on the novel by Junichiro Tanizaki. Story of the beautiful blind daughter of a wealthy businessman who falls in love with a servant.Read More »

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A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.Read More »

Jonathan Rosenbaum, Chicago Reader wrote:
This rarely shown early film by Roberto Rossellini (1948), one of his few comedies, anticipates with remarkable prescience the conceits of Godard and others about photography in the 60s. A professional small-town photographer finds that he has the power to kill his subjects by taking their picture, turning them into statues of themselves. Rossellini left this project before it was finished, and it was edited and released a few years later without his approval–but it still comes across as a remarkably suggestive fable.Read More »

Plot ~ Hal Erickson, Rovi
In comfortable dotage, baronet Humphery Tavistock (Laurence Harvey) recalls a lifetime of romantic entanglements to his wide-eyed son-in-law. Tavistock has come to the conclusion that women are a riddle wrapped in a mystery surrounded by an enigma, and his reminiscences bear this out. Among the baronet’s many amours are a suffragette, a harem girl, the wife of a diplomat who “demands satisfaction”, an American heiress, a bohemian artist and an army nurse.Read More »

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A documentary showing aspects of long-disappeared rural life in Northumberland in 1953.Read More »

Synopsis:
Étienne, a modest carpenter, believes he has found the perfect partner in Irène, a beautiful young woman who appears to be devoted to him. But Irène is not the simple housemaid she pretends to be. In truth, she is the wife of a wealthy man, living in a grand house where she plays hostess at her frequent soirées to the cream of Parisian society. Irène is content with her double life until the day she discovers she is pregnant with Étienne’s child. After the baby is born, Irène promises to marry Étienne, without telling him that she must first persuade her present husband to agree to a divorce. Étienne’s hopes for future happiness are dashed when the business he attempts to set up fails and his child falls dangerously ill. The final blow comes when he visits Irène at the house where she claims to work and discovers the truth that she has long concealed from him…
— James Travers .Read More »