1930s

  • Howard Hawks – Bringing Up Baby (1938)

    1931-1940ClassicsComedyHoward HawksUSA

    Synopsis wrote:
    David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

    Rob Nixon, Kerryn Sherrod & Jeff Stafford wrote:

    Why BRINGING UP BABY is Essential

    In the eyes of many critics, Bringing Up Baby is the quintessentialscrewball comedy, incorporating all the standard elements of the genre such as themadcap heiress, a hapless leading man virtually victimized by herattentions and a group of stuffed shirts whose pomposity is deflated by thefarcical goings on. It also stands as a prime example of the liberatinginfluence of eccentricity (and the female) in the screwballcomedy.Read More »

  • Lev Kuleshov – Velikiy uteshitel aka The Great Consoler (1933)

    1931-1940DramaLev KuleshovUSSR

    The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

    The film takes place in America in 1899, and in its principal plot depicts Bill Porter, who is the great consoler of the title, in prison. His writing skills earn him privileges from the governor and he is spared the inhumane treatment meted out to other prisoners. Porter is very much aware of the brutality around him but, mindful of his better conditions, refuses to write about prison life. He prefers to console his less-well-treated friends, and indeed all his readers, with excessively romantic fantasies in which good invariably triumphs.Read More »

  • Alfred Hitchcock – Mary (1931)

    1931-1940Alfred HitchcockGermanyMysteryQueer Cinema(s)Thriller

    A juror in a murder trial, after voting to convict, has second thoughts and begins to investigate on his own before the execution. German version of “Murder. (ımbd)Read More »

  • Sergei M. Eisenstein – La Destrucción de Oaxaca (1931)

    1931-1940DocumentaryMexicoSergei M. EisensteinSilentUSSR

    Description: Footage of the aftermath of the January 14 1931 Earthquake in Oaxaca, Mexico.Read More »

  • Alessandro Blasetti – Palio (1932)

    1931-1940Alessandro BlasettiClassicsDramaItalian Cinema under FascismItaly

    IMDb:
    An anticipation of Blasetti’s style. A great movie about the Siena Palio. Guido Celano (Zarre) is a very good actress and Leda Gloria too. The Tuscany environment is very well depicted. The performing style is influenced by the period, but it is quite good anyway. It is a very uncommon movie and the best representation of Palio, a religious and sporting event in Siena. Blasetti, then, after Il Palio and Terre Sole, start a wonderful career as director and will anticipates the “neorealism” with his 1942’s movie “Quattro passi fra le nuvole”. Very impressive the opening scene with Zarre riding a horse in the Siena countryside.Read More »

  • Alessandro Blasetti – Aldebaran (1936)

    1931-1940Alessandro BlasettiDramaItalian Cinema under FascismItalyRomance

    Quote:
    Aldebaran is in some places erroneously reported as a “lost” film, but here it is! After
    a couple of projects had either been postponed or fallen through for Blasetti, it was
    suggested that he should make a film about the navy in peacetime. The result is this
    strange film, which at the outset plays like a propaganda piece for the might of the Italian
    navy, only to veer off into high melodrama, as it zeroes in on Commander Corrado Valeri
    (Gino Cervi), and his conflict between duty and the jealousy of his wife. There are comedic
    asides, a visit to a North African club, affording Blasetti to contribute the first scenes of
    nudity in Italian film, and there are moments of heroics, including a mission to rescue the
    doomed crew of a wrecked submarine. As if all of that was not more than enough, the film
    features a star studded cast including Evi Maltagliati, Gianfranco Giachetti, Doris Duranti,
    Elisa Cegani (in her debut), and even a brief cameo by Blasetti himself.Read More »

  • Mervyn LeRoy – Anthony Adverse (1936)

    1931-1940AdventureDramaMervyn LeRoyUSA

    In late 18th century Italy, a beautiful young woman finds herself married to a rich but cruel older man. However, she is in love with another, younger man. When the husband finds out, he kills the lover in a swordfight, and takes his wife on a long trip throughout Europe. Months later, she dies giving birth to a son. The husband leaves the child at a convent, where he is raised until the age of 10; then he is apprenticed to a local merchant, who gives him the name “Anthony Adverse” because of the adversity in his life. But his adversity has only begun, as fate takes him to Cuba, Africa, and Paris. Written by John Oswalt {[email protected]} (IMDB).Read More »

  • Alfred E. Green – The Duke of West Point (1938)

    1931-1940Alfred E. GreenDramaUSA

    Plot:

    Louis Hayward plays an arrogant Cambridge student who emigrates to America and enrolls at the West Point. Hayward’s cocky attitude earns him the enmity of his fellow students and the derisive nickname “the Duke”. Those viewers familiar with college pictures will know as early as the opening titles that Hayward is down deep a swell guy. He proves this by helping impoverished plebe Richard Carlson pay his college costs and winning a crucial hockey game against a Canadian team. 20-year-old leading lady Joan Fontaine fits right in as the beautiful target of Hayward’s attentions.

    Read More »

  • Vladimir Petrov – Pyotr pervyy II AKA Peter the First [Part 2] (1938)

    1931-1940DramaUSSRVladimir Petrov


    29f7c043f76a2bde437fd0d52a185152

    DVDRip from print restored by Mosfilm in 1965 according to the credits, it still looks grey. After having read the descriptions below I found it be easy to follow the film without subtitles, the acting, the mise en scène and the cinematography are excellent. There is very little music though, two or three church choruses and folk songs, bits of post romantic orchestral music here and there. And, as been said below, no obvious propaganda.Read More »

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