1930s

  • Julien Duvivier – Maria Chapdelaine (1934)

    1931-1940DramaFranceJulien Duvivier

    MG REVIEW
    “Maria Chapdelaine” beautifully supports and sustains French filmmaker Julien Duvivier’s gift for “poetic realism.” At base, this is a simple 19th century romantic triangle. Canadian lass Madeleine Renaud is adored with equal fervor by aristocratic Jean-Pierre Aumont and by crude lumberjack Jean Gabin. Her indecision paves the way for tragedy. Yes, Maria Chapdelaine is a bit old-fashioned in technique and story material, but that fact never stopped Duvivier from turning out a film of genuine merit. Though the 1984 remake, directed by Gilles Carle, is superior to Duvivier’s, the earlier film shouldn’t be ignored”Read More »

  • Mervyn LeRoy – Gentleman’s Fate (1931)

    Drama1931-1940CrimeMervyn LeRoyUSA

    Synopsis:
    Pre-code melodrama starring John Gilbert as Jack Thomas, rich, penthouse-dwelling playboy with a brand new fiancee named Marjorie (Leila Hyams) and his own English “gentleman’s gentleman” (just given orders to burn his gallery of photos and phone numbers). Called to meet his guardian “Papa Mario”, Jack is informed he has a brother named Frank and a father who has been shot and is calling for his long-lost son from his deathbed. This is all news to Jack who didn’t know about this family at all (he thought he was an orphan). Read More »

  • Jean Renoir – Toni (1935)

    1931-1940ClassicsDramaFranceJean Renoir

    Masters of Cinema wrote:
    Financed by Marcel Pagnol’s production company, Jean Renoir’s Toni is a landmark in French filmmaking. Based on a police dossier concerning a provincial crime of passion, it was lensed by Claude Renoir on location (unusually for the time) in the small town of Les Martigues where the actual events occurred. The use of directly-recorded sound, authentic patois, lack of make-up, a large ensemble cast of local citizens in supporting roles, and Renoir’s steadfast desire to avoid melodrama lead to Toni often being labeled “the first ‘neorealist’ film”. Renoir himself disagreed. Although Toni is acknowledged as a masterly forerunner of neo-realist preoccupations and techniques he wrote: “I do not think that is quite correct. The Italian films are magnificent dramatic productions, whereas in Toni I was at pains to avoid the dramatic.”Read More »

  • George Cukor – The Women (1939)

    1931-1940ClassicsComedyGeorge CukorUSA

    Synopsis:
    Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler’s husband). While they are at Lucy’s dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary’s ex is now unhappily married to Crystal who is already in an affair with Buck. When Sylvia lets this story slip at an exclusive nightclub, Crystal brags of her plans for a still wealthier marriage, only to find the Countess is the source of all Buck’s money. Crystal must return to the perfume counter and Mary runs back to her husband.Read More »

  • Orson Welles – Too Much Johnson (1938)

    1931-1940ComedyOrson WellesSilentUSA

    Synopsis:
    Posing as wealthy Cuban plantation owner Joseph Johnson, Augustus Billings is having an affair with married Clairette Dathis. Augustus is able to get away just before Clairette’s husband, Leon Dathis, comes home. But Leon finds out about the affair. With Augustus’ photograph in hand, Leon goes on a search for his wife’s lover. The ensuing chase leads to one sight gag close call after another. Eventually, the real Joseph Johnson in Cuba gets unwittingly into the act.Read More »

  • George Fitzmaurice & Harry d’Abbadie d’Arrast – Raffles (1930)

    1921-1930ClassicsCrimeGeorge FitzmauriceHarry d'Abbadie d'ArrastUSA

    Synopsis:
    A distinguished English gentleman has a secret life–he is the notorious jewel thief the press has dubbed “The Amateur Cracksman”. When he meets a woman and falls in love he decides to “retire” from that life, but an old friend comes to him with a predicament that entails him committing one last job.Read More »

  • Alfred Hitchcock – Sabotage [+Extras] (1936)

    1931-1940Alfred HitchcockMysteryThrillerUSA

    Synopsis:
    Mr. Verloc is part of a gang of foreign saboteurs operating out of London. He manages a small cinema with his wife and her teenage brother as a cover, but they know nothing of his secret. Scotland Yard assign an undercover detective to work at the shop next to the cinema in order to observe the gang.Read More »

  • Leo McCarey – Make Way for Tomorrow (1937)

    1931-1940ClassicsDramaLeo McCareyUSA

    Synopsis:
    At a family reunion, the Cooper clan find that their parents’ home is being foreclosed. “Temporarily,” Ma moves in with son George’s family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children’s well regulated households. Can the old folks take matters into their own hands?Read More »

  • William A. Wellman – Wild Boys of the Road (1933)

    1931-1940AdventureDramaUSAWilliam A. Wellman

    Synopsis:
    At the bottom of the depression, Tom’s mother has been out of work for months when Ed’s father loses his job. Not to burden their parents, the two high school sophomore’s decide to hop the freights and look for work. Wherever they go, there are many other kids just like them, so Tom, Ed and now Sally stick together. They camp in places like ‘Sewer City’ as long as they can until the local authorities run them off. They travel all over the mid west and when they get to New York, Ed thinks that they may finally find work.Read More »

Back to top button