1920s

Synopsis:
What is the perfect body – and how do you get it? People were already grappling with these questions 100 years ago. Wilhelm Prager’s and Nicholas Kaufmann’s documentary “Wege zu Kraft und Schönheit” (Ways to Strength and Beauty), filmed in 1925 for the UFA cultural department, first criticises modern society, which weakens and deforms the human body through industrial work and office activities. According to the motto “A healthy mind lives in a healthy body”, the didactically prepared educational film aims in six chapters at a re-appropriation of a physical ideal state according to the model of antiquity and propagates above all physical training for this purpose.Read More »

The film follows two mountain enthusiasts, battling through a glacier areain the Swiss mountains, the sublime beauty of the film is effectively staged.The attention will be paid equally to the contemplation of nature, such as theMountain sports on his then latest technical standard And it&’s also about a newform of natural experience thanks to the film and cinema technology that enablesa wide audience to look at then still little-known mountain tops for the first timeRead More »

Montage of different sequences reconstructing the three-color additive synthesis process patented by Audibert.Read More »

Quote:
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city’s upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor… The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.Read More »

David Brandon (James Gordon) is a surveyor in the Old West who dreams that one day the entire North American continent will be linked by railroads. However, to make this dream a reality, a clear trail must be found through the Rocky Mountains. With his boy Davy (Winston Miller), David sets out to find such a path, but he’s ambushed by a tribe of Indians led by a white savage, Peter Jesson (Cyril Chadwick); while the boy manages to escape, David is killed. Years later, the adult Davy Brandon (George O’Brien) still believes in his father’s dream of a transcontinental railroad, and legislation signed by President Abraham Lincoln has made it an official mandate. Davy is hired on as a railroad surveyor by Thomas Marsh (Will R. Walling), the father of his childhood sweetheart Miriam (Madge Bellamy). While Davy hopes to win Miriam’s heart as he helps to find the trail that led to his father’s death years ago, he’s disappointed to discover that Miriam is already married — and shocked to discover her husband is Peter Jesson, now working with the railroad as a civil engineer. As the Union Pacific crew presses on to their historic meeting at Promitory Point, Davy must find a way to earn Miriam’s love and uncover Peter’s murderous past.Read More »

Quote:
Gustaf Molander was the one who primarily would be asked to continue Sjöström’s and Stiller’s work. He was also the film company’s chief negotiator with Lagerlöf, and someone she did not like. “Molander has just left. He is a remarkably dead and uninteresting character, although he is such a fine person. The matter concerned that which you had just told me about, to ask whether I had any good ideas in stock, which I could pass on to them […] He was not very informed about my novels, I must say […].

Swedish Film: An Introduction And Reader (2014)Read More »

Quote:
The count Henri d’Ursel shot La perle (The Pearl) under the pseudonym of Henri d’Arche “in the flush of inexperience”, as he put it. D’Ursel made only one film, based on a screenplay by the poet Georges Hugnet. In a Paris straight out of the serials of Louis Feuillade, the hero goes in search of a pearl which constantly disappears in a string of bizarre encounters – sneak thieves in a hotel wearing body stockings à la Musidora, a beautiful fiancée on a bicycle and a somnambulist walking the rooftops in a night-shirt, amorous fantasies in the undergrowth. Hugnet himself played this waking dreamer, haunted by an unending eroticism reflected in the images.Read More »

This is a love story, a story of rivalry and revenge but, above all, a story about sport. The great passion is about union rugby.Read More »

Quote:
In 1929, Steiner made his first film, H2O, a poetic evocation of water that captured the abstract patterns generated by waves. Although it was not the only film of its kind at the time – Joris Ivens made REGEN that same year, and Henwar Rodekiewicz worked on his similar film PORTRAIT OF A YOUNG MAN (1931) through this whole period – it made a significant impression in its day and since has become recognized as a classic: H2O was added to the National Film Registry in December 2005. Among Steiner’s other early films, SURF AND SEAWEED (1931) expands on the concept of H2O as Steiner turns his camera to the shoreline; MECHANICAL PRINCIPLES (1930) was an abstraction based on gears and machinery.Read More »