José Val del Omar (Granada 1904 – Madrid 1982)

With an extraordinary artistic and technological talent, Val del Omar was a ”believer in cinema” inspired by new horizons that he formulated in the term PLAT – representing the totalizing concept of a ”Picto-Luminic-Audio-Tactile” art – apart from being a contemporary and a comrade of Lorca, Cernuda, Renau, Zambrano and other figures of a Silver Age of the Spanish culture, interrupted by the Civil War. In 1928 he anticipated various of his most characteristic techniques, including the ”apanoramic overflow of the image” beyond the limits of the screen, and the concept of ”tactile vision”. These techniques. and those of ”diaphonic sound” and other explorations in the field of electro-acoustics, would be applied in his Tríptico Elemental de España [Elementary Tryptich of Spain], begun in 1953 and only finished after his death. His work and tenacious research activity – quite against any tendency of misunderstanding and forgetfulness – did not begin to be rediscovered until shortly before his death, though it has constituted the beginning of a renaissance that continues to draw followers. ”Endless”, as he would put at the end of his films.Read More »

Plot / Synopsis
The gloriously larger-than-life Czech fantasy Vynalez Zkaky (Weapons of Destruction) was based on a novel by Jules Verne. Set during the 19th century Industrial Revolution, the film concerns the efforts of the villainous Count Artigas (Miloslav Holub) to conquer the world with the aid of futuristic inventions created by kidnapped scientist Professor Thomas (Arnost Navratil). Having fallen in love with the professor’s virtuous, resourceful daughter Jeanne (Jana Zatloukalova), stalwart hero Simon (Lubor Tokos) does his best to sabotage Artigas’ schemes. Props essential to the action include a fished-shaped submarine, bicycle-style undersea shuttlecraft, and an impossibly huge cannon, secreted on a volcanic island. Curiously, when Vynalez Zkaky was unveiled to the world at the 1958 Brussels Film Festival, reviewers downplayed its most striking visual aspect: throughout the film, the art direction and special effects are brilliantly rendered in the style of 19th century engravings and woodcuts. In 1961, an English-dubbed version of Vynalez Zkaky, with character names changed and a few minutes’ footage excised, was released in the US as The Fabulous World of Jules Verne. ~ Hal Erickson, AllRoviRead More »

Synopsis :

Russian ballet dancer Tatiana (Rita Poelvoorde) loses a competition to become her school’s #1 ballerina, but marries Boris Itovich (Jorge Donn). The war blights their lives, but their son Sergei (Donn) eventually becomes a top dancer himself. Parisian music hall musicians Anne and Simon Meyer (Nicole Garcia and Robert Hossein) marry, only to be deported to a concentration camp. They cast their infant out to chance, and he grows up to be a lawyer (Hossein) who wonders where his son Patrick (Manuel Gélin) gets his musical ability. Big band leader Jack Glenn (James Caan) does USO duty while in the Army, but returns to his singer wife Suzan (Geraldine Chaplin). Their children Sara and Jason (Chaplin and Caan) become respectively a big pop singer and a film director. German piano virtuoso Karl Kremer (Daniel Olbrychski) plays for Hitler in 1938, which complicates his career as an orchestra conductor later in life. Evelyne (Evelyn Bouix) comes to a sorry end after taking many lovers in wartime Paris, including German officers; her daughter Edith (Bouix) returns to Paris and eventually tries a career in dancing. Somehow, the multiple threads of so many creative lives converge at a charity dance concert of Ravel’s Bolero at the foot of the Eiffel Tower.Read More »

Synopsis
Study of two lonely old people who have been married for many years, their relationship having atrophied into a silent war. This wordless struggle has become their way of life, yet underneath it all there is still tenderness and love between them.
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Synopsis
A rich girl falls for an older hippie boy. Her parents don’t approve and try to stop her from seeing him.Read More »

Synopsis
A completely routine drama involving sexual situations and rough characters, this story directed and written by Catherine Breillat looks at the liaison between Solange (Dominique Laffin) and Bruno (Bertrand Bonvoisin). Solange is the female version of a womanizing film director who is confident about her conquests and her ability to figure out men. Along comes Bruno, and Solange’s faith in her knowledge of men is put to a test and found wanting. In spite of her better judgment, she is undeniably attracted to Bruno though the man is going to be trouble in a big way. ~ Eleanor Mannikka, All Movie GuideRead More »

The 38-year-old bodybuilder Dennis would really like to find true love. He has never had a girlfriend and lives alone with his mother in a suburb of Copenhagen. When his uncle marries a girl from Thailand, Dennis decides to try his own luck on a trip to Pattaya, as it seems that love is easier to find in Thailand. He knows that his mother would never accept another woman in his life, so he lies and tells her that he is going to Germany. Dennis has never been out traveling before and the hectic Pattaya is a huge cultural shock for him. The intrusive Thai girls give big bruises to Dennis’ naive picture of what love should be like, and he is about to lose hope when he unexpectedly meets the Thai woman Toi. Written by SF FilmRead More »

Synopsis
Widely regarded as one of the greatest films ever made, Jean Renoir’s masterpiece The Rules of the Game is a scathing critique of corrupt French society cloaked in a comedy of manners. At a weekend hunting party, amorous escapades abound among the aristocratic guests and are mirrored by the activities of the servants downstairs. The refusal of one of the guests to play by society’s rules sets off a chain of events that ends in tragedy. Poorly received upon its release in 1939, the film was severely re-edited, and the original negative was destroyed during World War II. Only in 1959 was the film fully reconstructed and embraced by audiences and critics who now see the film as a timeless representation of a vanishing way of life.Read More »

A group of overweight people attend therapy sessions in an attempt to solve their weight and emotional problems.

“GORDOS” is a comedy about life’s excesses and deficiencies; about our insecurities, phobias, obsessions, traumas, mistakes, fears, blame, desires, hopes, challenges, concessions, goals, relationships, love, sex, health, family… about survival in the widest and “largest” sense of the wordRead More »