Filmmaker Jose Luis Guerin documents his experience during a year of traveling as a guest of film festivals to present his previous film. What emerges is a wonderfully humane and sincere portrayal of the people that he meets when he goes off the beaten track in some of the world’s major cities. (IMDB Plot Summary)Read More »
These World War II era shorts, produced in the United States and around the world, were never meant to survive past wartime, and understandably many have been shelved, lost or forgotten since the mid-1940s.Fortunately, these films still exist and serve as an interesting social document of the attitudes prevalent at the time some imposed by the government in the form of propaganda and some by the filmmakers.Read More »
REVIEWS
Strictly Film School, by Acquarello
[…]They are kindred spirits, bound together by personal shame and guilt of survival, and an overwhelming sense that they can never go home again (as in Krzysztof Kieslowski’s White. It is through their affair that the memory of her beloved is reawakened. In essence, the architect is the catalyst: the receptive soul who guides her through the painful, introspective path that leads to closure.Read More »
Quote:
My Life as a Dog (Mitt liv som hund) tells the story of Ingemar, a twelve-year-old from a working-class family sent to live with his uncle in a country village when his mother falls ill. There, with the help of the warmhearted eccentrics who populate the town, the boy finds both refuge from his misfortunes and unexpected adventure. Featuring an incredibly mature and unaffected performance by the young Anton Glanzelius, this film is a beloved and bittersweet evocation of the struggles and joys of childhood from Oscar-nominated director Lasse Hallström.Read More »
Why make porn these days, you wonder? What used to be underground smutt is now so mainstream it becomes weird when the pizzaboy doesn’t make a move at you. We are shocked at women breastfeeding in public but consider it amusing when a guy gets it up the rear by a horse.
I hold nothing against porn itself. What does make my skin creep is the total lack of the pure basics of what i consider good sex: the hunger.Read More »
Plot (from Allmovie):
La Nuit du Carrefour (A Night at the Crossroads) may well be the least known of Jean Renoir’s sound films. Adapted from a novel by Georges Simenon, the story concentrates on a gang of thieves who utilize a cross-road garage as the hideaway. During their last caper, the gang has accidentally murdered a jewel thief, and the heat is on. Winna Winifred, the beautiful ringleader of the gang, makes the fatal mistake of falling in love with Pierre Renoir (the director’s brother), the detective who’s been assigned to bring her in. The only one of Renoir’s productions to thoroughly qualify as a “crime picture,” La Nuit du Carrefour was often dismissed by the director, who felt that he was so successful in creating a “mysterious atmosphere” that no one understood what was going on (He did, however, enjoy working with Georges Simenon, who became a lifelong friend).-Read More »
Plot / Synopsis
Clement is one of these movies you have to think for hours or days after you’ve watched it. It’s the story of the impossible relationship between an thirteenyears old boy, Clement, and the thirtyyears old Marion. They meet first time on a birthdayparty of one of Clements friends, Marions godchild. Marion feel flattered about Clements first overturnes. At first she think it’s fun and only a game. But for every step she take to make this relationship more serious, to be closer to Clement, she gets more addicted by these boy. She spend days with him, go in holydays with him (alone), and finally have sex with these boy. You believe Marion that she she really is in love with these boy, but you don’t know if Clement too. And at the end of these film you know that for him it was only a game (not neccessary to notice; he is 13!) This is no paedophilmovie, but it touchs everyones understanding of moral. The way the story is compose (You really think this could happen in this way, and maybe you can understand both), the work with the camera( this restles home-movie-style-camera)and especially the work of Bercot and Gueritée (You can believe every step the take) supports the reality in this movie. Sometimes you can’t believe it that some scenes are alloud to show this in TV. Nevertheless or because of this, it’s a good movie. And it’s important that the questions of moral are asked: “What you want to do with this boy?” She don’t know the answer. And that’s the cause why this relationship brooks; because such relationship have to brooke in the real life and these relationship have to brooke to make this movie serious. For such a relationship is no real basis and no tolerance. This disturbing but good movie not damn this love totally but it shows that it wouldn’t work.Read More »
Polanski’s greatly under-rated adaptation of the Dickens classic boasts stunning set design, exemplary, understated acting quite unlike the “Dickensian” grotesques of most TV adaptations, and definitive portraits of Sykes and Fagin by the great actors James Foreman and Sir Ben Kingsley. The latter’s night of terror in the execution cell at the film’s end is one of the most moving scenes in the director’s canon. Polanski is not scared of invoking Lean. In fact, several scenes pay specific homage to the earlier version while offering a totally valid, more naturalistic update. One for the ages, if not the box office.Read More »
A beautiful young woman goes to the island of Lesbos to rest, He meets two beautiful young and have a great time fucking around the world.Read More »