Zeitgeist Films wrote:
Manufactured Landscapes is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris. The film follows him through China, as he shoots the evidence and effects of that country’s massive industrial revolution. With breathtaking sequences, such as the opening tracking shot through an almost endless factory, the filmmakers also extend the narratives of Burtynsky’s photographs, allowing us to meditate on our impact on the planet and witness both the epicenters of industrial endeavor and the dumping grounds of its waste.Read More »

George A. Romero talks about the movie “Night of The Living Dead”.Read More »

PLOT: “Mountain-film” specialist Luis Trenker plies his trade with his usual expertise in the Austrian Velorene Sohn (Prodigal Son). Trenker himself plays the leading role of Tonia Feuersinger, a Tyrolean mountaineer bound and determined to scale the American Rockies. He also wants to journey to the States to court pretty American tourist Lillian Williams (played by pretty American actress Marian Marsh). Leaving his broken-hearted local girlfriend (Maria Andergast) behind, Tonio treks to New York, but never quite makes it to the Rockies; instead, he gets a welding job on a skyscraper, then achieves success as a prizefighter. In the end, however, he realizes that his heart is still in the Tyrol and thus returns to the arms of his hometown sweetheart. Though aimed at the German-speaking clientele, Verlorene Sohn was financed in Hollywood by Universal Pictures.
-allmovie.comRead More »

Le Streghe, Femmes entre elles (The Witches, Women among Themselves).2008. France/Italy. Written and directed by Jean-Marie Straub. Based on Dialogues with Leucò, by Cesare Pavese. With Giovanna Giuliani, Giovanna Daddi. 35mm. In Italian. 21 min.

The enchantress Circe recounts to Leucò her attempts to bewitch and bed Odysseus. She talks about men and women, the human and the divine, and the brave hero who chooses to become neither pig nor God. In her adamantine repose, Circe also hints at the monotony of her own immortal fate, and contrasts it with the vibrating currents of life she so dearly craves and envies in Odysseus, with his longing for home, childhood, and love. These women-demigods are frank and sensitive at the same time, like the men of Raoul Walsh’s films, where the communities of male and female are deathly separate, and massive to each other. Walsh made a western, The Tall Men, in 1955. This 2008 Straub-film is its reverse shot. (Joshua Siegel – MoMA)Read More »

Plot Synopsis:
A bus-load of high school seniors goes on a field trip to an art museum and becomes involved in various sexual adventures, both real and imagined.Read More »

Jean-Marie Straub’s first film after the death of Danièlle Huillet is a love poem to her. Le Genou d’Artémide is based on Cesare Pavese’s “Dialogues of Leuco”, which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006).Read More »

Text from Diagonal Thoughts

“Before being a conflict of classes or parties, politics is a conflict concerning the configuration of the sensible world in which the actors and the objects of these conflicts may appear. Politics is then this exceptional practice, which makes visible that which cannot be seen, which makes audible that which cannot be heard, which counts that which cannot be counted.”Read More »

An unflinching portrait of life on the post-Communist streets of Prague where young men find it all too easy to pick up extra money as porno models and hustlers. Their clients consist largely of German, Swiss, and Dutch tourists in search of cheap sex – and for additional income they make pornos on the side. Along the way they are ripped off, abused, and degraded until they simply wear out.Read More »

A girl accused of killing her father is defended unsuccessfully by a flashy lawyer. Then another lawyer looks at the case. A female lawyer. It is 1938.Read More »