From IMDB:
Amy is Jewish, nearing 30, single, and the successful author of “Why Love Doesn’t Work,” a self-help book for women who aren’t in love. She’s also a self-described sexorexic – she hasn’t had sex with a man in four years and has never had a “mental orgasm.” She gets plenty of advice – from her publicist, from her best friends (a married couple), from her parents, and from a priest to whom she goes to confession – so there’s lots of conflicting emotion and analysis when she starts dating Matthew Starr, a good-looking playboy who’s a popular L.A. male-chauvinist-pig radio shock jock. Each of Amy’s theories and rules is put to the test – people may not change, but can love work?Read More »

In a grand apartment, where the disorder of an elderly couple and the order of old aunt Léonie are mixed together, Michel is the pampered child of this strange “roulotte” who seems to be rolling away from the world. Yvonne idolizes her son so much she forgets her husband. She would even forget herself if she did not have to take care of his insulin treatment. When Michel sleeps out for the first time, he vows to his mother (who he nicknames “Sophie”) that he loves Madeleine, a young woman who he wishes to present to her. At first reticent, then jealous and exclusive, Yvonne ends up capitulating before her son’s sorrow and his sister Léonie’s insistence. In the meantime, we discover that Madeleine already has an “old” lover who she wants to break up with, who is none other than Georges, Michel’s father. Aunt Léo attempts to bring order to this tragic comedy of life. (Wiki)Read More »

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19-year old violinist Belle lives in a small farming village in the Netherlands. Everyone around her seems obsessed with sex: her boyfriend, her sister and especially her mother. But Belle’s only interest is her violin, and she is put off by the constant flirting and mating of her peers.Read More »

The Old School of Capitalism is rooted in the first wave of workers revolts to hit Serbia since the advent of capitalism. Desperate workers bulldoze through factory gates and are devastated to discover the site looted by the bosses. Eccentrically escalating confrontations, including a melee with workers in football shoulder-pads and helmets and boss and his security force in bulletproof vests, prove fruitless. Committed young anarchists offer solidarity, take the bosses hostage. A Russian tycoon, a Wall Street trader and US VP Biden’s visit to Belgrade unexpectedly complicate events that lead toward a final shock. Along the way, the film produces an increasingly complex and yet unfailingly lively account of present-day, in fact, up-to-the-minute struggles under the misery-inducing effects of both local and global capital.Read More »

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A young student falls into a hopeless romantic attraction to an invalid girl whom he can only see from afar.

Description: SINCERE HEART (1953, aka MAGOKORO) was Masaki Kobayashi’s second film as a director — but as with his first, YOUTH OF THE SON, it is something of a hybrid work, influenced heavily by his longtime mentor Keisuke Kinoshita, who wrote the screenplay. The resulting film is a deeply passionate and sentimental drama about a young student (Akira Inshihama) who falls into a hopeless romantic attraction to an invalid girl (Keiko Awaji) whom he can only see from afar.Read More »

This Nazi propaganda film compares the ancient Egyptian pharaohs with the contemporary German regime of Adolf Hitler. Read More »

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Synopsis

“The unexamined life is not worth living.”
—Socrates

Examined Life pulls philosophy out of academic journals and classrooms, and puts it back on the streets…

In Examined Life, filmmaker Astra Taylor accompanies some of today’s most influential thinkers on a series of unique excursions through places and spaces that hold particular resonance for them and their ideas.Read More »

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The Sweet Hereafter deals with the effects of a tragic school bus crash on a ravishingly beautiful small town set amid the scenic mountains of British Columbia. Outsider Ian Holm arrives, much like the Pied Piper, a lawyer trying to lure the citizens of the town into a class-action suit that would allow the mourning parents to try to sate their immense loss with the small solace of cash. Where Egoyan has dealt with emotional traumas of different sorts of outsiders and marginal characters in the past, with this adaptation, he has made a stirring portrait of the effects of loss within a community. –Ray PrideRead More »

synopsis
In this fascinating and unconventional examination of the creative process, an artist near the end of his career finds new inspiration in a young model. Edouard Frenhofer (Michel Piccoli) is a famous and well-respected artist who lives in a comfortable estate in the French countryside. At the age of 60, Frenhofer considers his career as a painter to be over; he says he no longer feels any inspiration to create, and his last attempt at a major work, a nude study of his wife Liz (Jane Birkin) called “La Belle Noiseuse” (The Beautiful Nuisance), has sat unfinished for ten years. Just as Frenhofer has lost his enthusiasm for his art, he has also lost his passion for Liz; their relationship is polite and friendly, but without enthusiasm. When Frenhofer tells Nicolas (David Bursztein), his young protégé, that he no longer feels the desire to paint, Nicolas suggests that he needs a more inspiring subject, and he offers his girlfriend Marianne (Emmanuelle Béart) as a model. Frenhofer is taken with Marianne’s beauty, and, with Liz’s cool approval, he and Marianne spend several arduous sessions together, exchanging ideas and opinions as Frenhofer methodically attempts to create a final masterpiece. While La Belle Noiseuse runs 240 minutes, director Jacques Rivette also prepared an alternate version, La Belle Noiseuse – Divertimento, which runs 120 minutes, features a different framing sequence, and incorporates takes unused in the original cut.Read More »