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CANNES — Dishing out another slew of colorfully anarchistic sight gags, Belgium-based trio Dominique Abel, Fiona Gordon and Bruno Romy are back with their latest Keystone-style romp, The Fairy (La Fee). Firmly grounded in the work of Chaplin, Keaton and especially Jacques Tati, to which they add a few welcome socio-political twists, these talented writers-directors-actors should have their wish granted with further arthouse exposure following an opening bow in the Cannes Directors’ Fortnight.
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Set in the gloomy port city of Le Havre, the film kicks off with its most successfully extended number when we’re introduced to a hotel night clerk, Dom (Abel), who’s pleasant soiree in front of the TV is interrupted with the arrival of an English tourist (Philippe Martz), and then of a svelte, shoeless woman (Gordon), who claims she’s a fairy and grants Dom three wishes. Like any self-respecting Frenchman living outside of Paris, Dom asks for a scooter and an endless supply of gas, and though he gets his wish, what he really wants is the love of the fairy herself.Read More »

Warning: Do NOT WATCH if you’re epileptic!

In Green Dream, Josephine Massarella has infused her vibrant, impressionistic images of nature with the spirit of the goddess Artemis. Evocative and abstract, Green Dream relies on a wide range of experimental techniques, including pixilation, optical printing, and manipulated motion to achieve a dreamlike state where the relevance of beauty and the irrelevance of use can be contemplated.

Reminiscent of the work of French experimental filmmaker Rose Lawder, Green Dream confronts modern overdevelopment with overpowering life forces. Read More »

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Michael Haneke’s masterful first film The Seventh Continent/Der Siebente Kontinent introduced concerns basic to the director’s art, principal among them the notion that the “death of affect”, a key fixation of postmodernity, should not be a subject of cynical concelebration (as it seems to be for many artists of the moment). Rather, Haneke views the end of affect, which is to say the acceptance of alienation as an inevitable and rather “hip” state of being, as a profound sickness that serious art no longer interrogates, the standard postmodern view being that its study is a naïve and dated preoccupation. As a consequence, Haneke is often associated with cinema’s great modernists, with Antonioni frequently cited as the kinsman of closest sensibility.Read More »

As the winning artist of the 2008 Film London Jarman Award, Luke Fowler was commissioned to produce four short films for 3 Minute Wonder, Channel 4s shorts strand.

The four films premiered on Channel 4 over four consecutive nights in April 2009. Entitled, Anna, Helen, David and Lester, they are a series of portraits of four diverse individuals brought together through a shared residence – a flat in a Victorian tenement in the West End of Glasgow. Composer: Lee PattersonRead More »

from the Milestone Films website:

“Pavlova’s artistry is something that we are often asked to take on faith, something where you had to be there. Watching The Dumb Girl, you are there!” — Joan Acocella, The New Yorker

In the early 20th century, when few stars were known by name, no woman had greater worldwide fame than ballet dancer and choreographer Anna Pavlova. Unlike movie actresses, whose celebrity spread with the international distribution of their films, Pavlova’s renown had to be earned theater by theater, performance by performance. Her legendary art was, by its nature, ephemeral. Still, no one traveled farther or worked harder than this slight daughter of a Russian laundress.Read More »

Plot:
Xuan’s estate project involving reclamation of the sea threatens the livelihood of the mermaids who rely on the sea to survive. Shan is dispatched to stop Xuan and this leads them into falling for each other. Out of his love for Shan, Xuan plans to stop the reclamation. Unfortunately, Shan and the other mermaids are hunted by a hidden organisation and Xuan has to save Shan before it’s too late…Read More »

On a summer day, a small Japanese restaurant by the name of Ruokala Lokki (The Seagull Canteen) opens for business in the Punavuori district of Helsinki. The restaurant is run by 38-year-old Sachie who wishes to offer her Finnish patrons not only Japanese food but Japanese-style food for the soul, too. Attracting Finns to the small restaurant run by a lone Japanese woman proves quite difficult, however.

Luckily Sachie gets to know Midori and her restaurant’s only customer, Tommi Hiltunen, with the help of whom she slowly begins to bring in more customers and settle down in her new life. Kamome Shokudo is a charming little tale of people in the middle of a foreign culture. The film is based on a novel by popular Japanese writer Yoko Mure. Director Naoko Ogigami received an award at the Berlin International Film Festival for her previous film Barber Yoshino.Read More »

Summoned by the dying General Sternwood, Philip Marlowe is asked to deal with several problems that are troubling his family. Marlowe finds that each problem centers about the disappearance of Sternwood’s favoured employee who has left with a mobster’s wife. Each of the problems becomes a cover for something else as Marlowe probes.Read More »

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Yanagimachi’s first feature film is about a young man who makes a map of a neighborhood in which he delivers newspapers. He keeps a dossier on each family, recording their habits and rating how much he dislikes them. One family, for example, gets an X because their dog barks all the time. Another man gets an X because he refuses to pay his bill. What turns all this scary is that the young man declares “I’m a right-winger!” and starts ruthlessly calling in bomb threats on these families. He psychologically abuses the crippled mistress of his roommate until she is driven to the brink of suicide. Rather than coming up with pat explanations for such anti-social behavior, Yanagimachi only describes the actions and lets the viewer decide why these things are happening. Questions of personal responsibility versus societal influences are completely left to the viewer to sort out.Read More »