In the last feature-length collaboration between Straub and Huillet before Huillet’s death in 2006, villagers from across the length of Italy — a peasant, a postmaster, a theater director, a mayor, a rope maker — gather in the Tuscan countryside to recite the five final scenes of Cesare Pavese’s Dialogues with Leucò.

Published in 1947, just two years after the Holocaust and the Second World War and two years before Pavese’s suicide, the Dialogues offer a series of meditations on human destiny, both comical and tragic, between ancient Greek mythological figures. Desperate in their hunger for immortality, mortals are blind to the gift of being human — of their ability to experience joy and suffering; to feel a passing breeze or the touch of another body; to name, remember, and act.Read More »

from IMDB:
Documentary directed by French photographer Elizabeth Lennard featuring the eclectic Japanese composer Ryuichi Sakamoto during the recording sessions of his 1984 album “Illustrated Musical Encyclopedia”.Read More »

Driven around Paris by a loyal driver (Édith Scob), a mysterious man (Denis Lavant) dresses up in costumes and plays a number of strange, semiscripted roles.

Manohla Dargis wrote:
“Holy Motors,” from the French filmmaker Leos Carax, is a dream of the movies that looks like a movie of dreams. It is a reverie that begins, appropriately, with a seated audience waiting in the dark (like us) and then cuts to a dimly lighted room, where a man (Mr. Carax) rises from a bed that he shares with a dog. He lets the sleeping dog lie (no need for trouble just yet) and creeps over to a mysterious door hidden in a wall. With a strange metal key that’s apparently grafted to one of his fingers, he unlocks the door and — like Little Nemo tumbling into Slumberland, Dorothy crossing over the rainbow and Alice falling down the rabbit hole — leaves one world for another.Read More »

Quote:
A fairy tale grounded in poignant reality, the magnificent, Manhattan-set The Fisher King, by Terry Gilliam, features Jeff Bridges and Robin Williams in two of their most brilliant roles. Bridges plays a former radio shock jock reconstructing his life after a scandal, and Williams is a homeless man on a quest for the Holy Grail—which he believes to be hidden somewhere on the Upper East Side. Unknowingly linked by their pasts, the two men aid each other on a fanciful journey to discovering their own humanity. This singular American odyssey features a witty script by Richard LaGravenese, evocative cinematography by Roger Pratt, and superb supporting performances by Amanda Plummer and an Oscar-winning Mercedes Ruehl, all harnessed by Gilliam into a compassionate, funny modern-day myth.Read More »

Arrigo Boito’s Il Mefestefele was first performed in 1868 and his most known work. In Ken Russell’s modern interpretation presented by the Genoese Opera, it has Faust as an ageing hippy. He smokes marijuana and is tormented by his lost youth. Mephisto makes a bet with God that he can turn anyone to pagan life, even someone as innocent as Faust. From then on it is a battle of good against evil in a flamboyant, surreal display of primary colours, PVC costumes, nurses with swastikas, rocket trips, love and even characters dressed as Donald Duck and Mickey Mouse. Ken Russell said because the devil is always with us is his reason for the contemporary setting. Written by Archie MooreRead More »

Following World War II, a northern cannery negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land ‘s owned by Julie Warren and has already been optioned by her unscrupulous, husband, Henry. Now the combine must also obtain 2 smaller plots; one owned by Henry’s cousin Rad McDowell, the other by Reeve Scott, a young black man whose mother had been Julie’s childhood nammy. But neither Rad nor Reeve’s interested in selling, and they form a partnership to improve their land. Although infuriated by the events, Henry remains determined to push through the big land deal.Read More »

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“Classical Period,” the second and (at barely more than an hour) longest feature from the offbeat filmmaker Ted Fendt (“Short Stay”), is technically in English, but it might as well be in liberal-arts-speak. Characters toss off lines like “I’ve never read the Borges book this quote is from” and “It’s actually the most comprehensive book about the freeway revolt in Philadelphia that I’ve read.” Such insights and humblebrags are the bulk of the dialogue. The title evokes the musical era that preceded Romanticism, and this highly original movie has been denatured of romance or even obvious dramatic incident.Read More »

A young woman visits her gravely ill grandmother at the family estate. On her death bed, the old woman reveals to her granddaughter the family curse: they’re all vampires. The young woman decides to move into the estate with her uncle and her cousin, and soon finds herself falling victim to the curse.Read More »

Synopsis
Emerging from a coma after a water ski accident in which his girlfriend Délie was killed, Stan van der Decken is informed that he is the heir of the mysterious Professor Starkov. He then embarks on a trip to the village of Las Estrellas…Read More »