• Jan Troell – 92,8 MHz Drömmar i söder AKA 92,8 MHz Dreams in the South (2000)

    1991-2000DocumentaryJan TroellSweden

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    Press comment:
    Not unexpectedly Troell´s contribution to the group-project facing the new millenium -“Swedish stories” – is outstanding. Here the lives of ordinary people on the countryside on Sweden´s southern tip mirror, without effort, something more general. This time we encounter some enthusiasts running a small radio station. Singing, talking, and greeting is heard, listened to and exchanged.. The image of a technology serving people and their fellowship is developed together with the one of a society not having lost its soul. —Troell is the great observer among Swedish documentarists. His brilliant cinematography and associative editing literally cuts out meaning and coherence from the visible reality.
    DAGENS NYHETERRead More »

  • Ramin Serry – Maryam (2000)

    1991-2000DramaIranRamin Serry

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    A voice from IMDB
    Several of the negative comments about this film were so blind. This movie is about American culture and makes you think about big questions that nag us — why do Americans respond to a crisis by hating others? I was alive and conscious during the events of 1979, I have known Iranians as college acquaintances and friends, and the use of footage in the movie is very effective at evoking memories of that time. Thinking about the racism against Iranians during that time and then thinking about how too many Americans reacted to the events of September 11, the march to a stupid war in Iraq, etc., etc., makes it clear once again that we Americans need to do some deep soul searching. Watch this movie and think about it — don’t try to act like some film critic or reviewer. Interestingly, on the surface this movie is about Iranians, but in fact I found that it was about American culture.Read More »

  • Jill Orschel – Sister Wife (2009)

    2001-2010DocumentaryExploitationJill OrschelUSA

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    Quote:
    An interview with a Mormon Fundamentalist who shares a husband with her younger sister.Read More »

  • Alessandro Blasetti – Retroscena (1939)

    1931-1940Alessandro BlasettiClassicsDramaItalian Cinema under FascismItaly

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    Review (amazon.com)
    Un celebre baritono incontra sul piroscafo che lo conduce dall’America in Italia, una non meno celebre pianista. Costei è ricchissima e superba. Il baritono se ne innamora ma soffre per l’alterigia di lei. Poiché la ragazza ha beffato alcuni cantanti che si sono esibiti durante un concerto a bordo, il baritono si rifiuta di cantare, ed anzi, se la ragazza non promette di starsene rinchiusa nel camerino della Scala, egli è deciso a non partecipare alle recite liriche per cui è stato scritturato a Milano. Per quanto altezzosa la ragazza, che ricambia segretamente i sentimenti dell’uomo, si reca durante il suo debutto nel camerino di lui. Intanto un famoso critico nega qualunque valore al nuovo cantante, anche perché è geloso dell’interessamento che la ricca ereditiera dimostra per lui. Il cantante, d’accordo con la direzione del teatro, si presenta in una nuova opera sotto il nome di un suo collega polacco, di cui il critico è entusiasta. Durante l’intervallo egli, alla presenza di tutti, svela la propria identità al critico stesso che aveva tessuto pubblicamente le lodi dell’interprete straniero. Dopo questa vittoria egli ha modo di conoscere i veri sentimenti della ragazza di cui è innamorato. I due concluderanno l’avventura con il matrimonio.Read More »

  • Mario Camerini – Rotaie aka Rails (1929)

    1921-1930DramaItalian Cinema under FascismItalyMario CameriniSilent

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    A young honeymooning couple are lured away to a seaside resort by a high-society sleazeball, who has plans to seduce the girl, while at the same time her hubby in desperation stakes all his money on the roulette wheels.Read More »

  • Mani Kaul – Siddeshwari (1990)

    1981-1990DocumentaryExperimentalIndiaMani Kaul

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    Summary from The Hindu:
    On paper, Siddheshwari, like so many films commissioned by the Films Division, is a cine-profile, of the Hindustani singer Siddheshwari Devi. However, Kaul turns the genre inside out, and amalgamates literary, theatrical, musical and cinematic forms together to construct an experience of music, instead of simply presenting biographical details or passively documenting the singer’s artistry. The sprawling film blends multiple timelines, realities and geographies to sketch a unique portrait of the artist.Read More »

  • Roberto Roberti – Napoli che canta AKA When Naples sings (1926)

    1921-1930DocumentaryItalian Cinema under FascismItalyRoberto RobertiSilent

    http://img38.imageshack.us/img38/9932/naple.png

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    From il cinema muto italiano 1923-1931:
    Si tratta di una antologia di canzoni napoletane, interprete dai maggiori cantanti dell’epoca, i quali seguirono alcune prime visioni, cantando direttamente sotto lo schermo.

    Translation:
    This is an anthology of Neapolitan songs, singers from the major interpreter of the time, which followed some premieres, singing directly below the screen.Read More »

  • Vittorio Cottafavi – I nostri sogni AKA Our Dreams (1943)

    1941-1950ComedyItalian Cinema under FascismItalyVittorio Cottafavi

    Leo (Vittorio De Sica) is young man trying to make a living without any success. Through fortuitous circumstances, he is assigned by the director of a big firm to accompany for one night the daughter of the firm’s accountant, Titi (María Mercader). Leo pretends then to be the son of a tycoon, and takes her in a luxurious restaurant.Read More »

  • Jane Gillooly – Suitcase of Love and Shame (2013)

    USA2011-2020DocumentaryJane Gillooly

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    Tender, erotic, and pathetic, this reconstructed narrative examines the obsession to chronicle the details of an adulterous affair. Suitcase of Love and Shame is a mesmerizing collage woven from 60 hours of reel-to-reel audiotape discovered in a suitcase purchased on eBay. Recorded in the 1960’s, a Mid-western woman and her lover become reliant on recording devises to document and memorialize their affair. The film suggestively foregrounds the tape recorder as the confidant, witness, and participant that the couple come to depend on — always omnipresent, the recorder creates a welcomed ménage-à-trois.Read More »

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