A pristine transport-stream recording of Jan Jakub Kolski’s beautiful early short film, Ładny dzień. Whilst his subsequent works are enjoyable, none have the same visual brilliance found here. One suspects that Kolski perhaps now views the work as immature, given that it’s so heavily influenced by Tarkovsky, but there’s a singular vision here that’s very special. The expressive use of colour, framing and montage is utterly captivating, and the beauty of the screenshots is self-evident.Read More »

Director Fadil Hadzic convincingly presented the life of an official, his rise and fall and the inability to establish normal relations with his own children.

Plot:
One day in the life of former ambassador, Vlado Milkovic, and his family.
Ambassador’s younger son (Zeljko Königsknecht) is a car thief, and older son is a doctor (Vojislav Brajovic) whose salary mostly goes to support his wife (Nina Erak-Svrtan). And there is a daughter who thinks about her deceased mother, and her suicide…Read More »

Quote:
Soledad, a maid born in Argentina, works at a Mexican farm. The son of her employer will deceive her, pretending to marry her and leaving her pregnant. When she finds out that she has been tricked, she runs away from the farm. During her flight she meets a group of artists that’ll change her life. [Synopsis translated from spanish.]Read More »

Synopsis:
Six-year-old Vanya Solntsev lives in a desolate and rundown orphanage run by an alcoholic headmaster. When a wealthy Italian couple wanting to adopt selects him, the other children, especially his good friend, Anton, envy his fortune and name him The Italian. However, when a grief-stricken mother of another boy commits suicide after returning to reclaim her son and discovering he is no longer there, Vanya fears the same fate looms for him. With the aid of some of the older boys, he retrieves his file from the office safe and learns the address of the children’s home where he previously lived. Certain the records there will identify his mother, he sets off on his quest with the help of an older girl.Read More »

A work produced for the Morimura Yasumasa Exhibition at the Yokohama Museum of Art, (April 6 to June, 1996). It was shown in an old-style theater constructed within the exhibit space that featured photographs of Morimura playing famous foreign and Japanese actresses.Read More »

Russian stage star Ivan Mosjoukine plays the title role in this far-from-accurate biopic of legendary Italian lover Casanova. The main plot concerns itself with political intrigue, as Casanova travels from Venice to Russia and back again on a variety of “secret missions.” This doesn’t prevent the amorous hero from enjoying the favors of several delectable females. Even Russia’s Catherine the Great (Suzanne Bianchetti) briefly falls under Casanova’s spell. But when all is said and done, it is the lovely Therese (Jenny Jugo) who captures the protagonist’s heart. Highlights include the spectacular Carnival of Venice sequence and the splendiferous scenes within the palace walls of Czarina Catherine. Casanova was truly an international production: It was filmed in France but financed and written by Germans, while its star and director were Russians. The film ran into some curious censorship troubles in the U.S., and as result it was retitled Prince of Adventurers, with the main character rechristened as “Roberto Ferrara”! ~ Hal Erickson, All Movie GuideRead More »

Olivier is a real estate agent so broke he camps out in the apartments he is supposed to be selling. The death of his mother brings along many surprises, including a very unexpected inheritance: a run-down building on the outskirts of Paris! Faith renewed, Olivier is going to be able to pay long overdue child support, rebuild his relationship with his daughter, help his dad out and square up with his ex-wife. His hopes die out when he sees the building: it is completely run down, filthy, a burden rather than the life raft he needed. Moreover, an old woman, Liliane, is a squatter on the top floor, and he can’t flip the place with her around.Read More »

This is the original version made for the BBC but banned by them and never screened until 15 years later. The BBC said that they banned it because “There was too much incident packed into too short a time and that they doubted the veracity.” So they thought it was pure fiction. But they also said that it “looked too much like a documentary.”

A brutal depiction of life in the borstal system where order is maintained through violence and intimidation. Carlin’s journey up the pecking order from new boy to ‘Daddy’ earns him the respect of inmates and officers alike.Read More »

Quote:
The entire point of Peter Watkins’s cinematic career, so he seems to indicate in his interview with himself in the liner notes for New Yorker Video’s Edvard Munch DVD, is to directly challenge the perception deadening (at best) and enslaving (at worst) effects of the hegemony of 20th-century media, the conception of which was arguably the arrival of the moving picture. Strangely enough, two of his most acclaimed films take place decades before the Edison’s kinetoscope, but Watkins seems to use the anachronism of creating a hypothetical “first-person cinema” in the B.C. years to accentuate his impassioned appeal for elevated media consciousness. His recent six-hour millennial masterwork La Commune (Paris, 1871) was blunt about it, framing a rag-tag experimental theater ensemble attempting to reenact a moment of French social resistance with televised coverage from within (two community reporters practically serving as the film’s tour guides) and without (daily reports from the State-suckling network distorting the public’s all-but-assigned opinion).Read More »