Love has left the marriage of Zandalee (Erika Anderson) and Thierry (Judge Reinhold) so Zandalee finds ecstacy in the arms of Johnny (Nicolas Cage), her husband’s boyhood friend. Once aroused, her longings cannot be satisfied until her obsessive need for passion overwhelms the three in a dark triangle of desire and death…Read More »
Quote:
Terence McDonagh is a drug- and gambling-addled detective in post-Katrina New Orleans investigating the killing of five Senegalese immigrants.
Read More »
Quote:
Juliette lives in a mundane housing development outside Paris with her two brothers and single mom. Director Aziza films the children in the contemporary Albert Camus school, where students are lively and attentive. Juliette’s class has the usual sexual curiosities, and Madame Solenska unhesitatingly turns remarks on menopause, oral sex, and even “teacher’s tits” into grammar exercises. Juliette becomes fascinated with Solenska; she’s thrilled when the teacher loans her a personal copy of The Lacemaker with its cover illustration of a nude young woman with her back to us, facing the sea. At home, Juliette studies the inscription on the title page from perhaps the teacher’s lover, its smudged pages, a single hair caught in the book’s spine, a hint of the teacher’s scent. The girl applies eyeshadow and tries on her mother’s bra, dress, perfume, heels… trying to picture her own adulthood.Read More »
In “What Is Not Seen”, Paulo Abreu subtly repositions the most characteristic tropes of the travel narrative: in lieu of a dialectic of self-recognition mediated by the discovery of others, we find a game of interruptions, in which the constant theme of the mechanisms of vision – within a markedly essayistic device between landscapes, displacements, and voice over – seemingly replaces the utopia of a possible encounter.Read More »
About the movie:
In 1952 Andrzej Munk made PAMIETNIKI CHLOPOW [PEASANT DIARIES], a film that was meant, to put it briefly, to show what people were told to believe about the wonderful lives that Polish peasants led in post-war Poland. In his book ” Moja filmoteka. Kino polskie” [My Film Archive. Polish Cinema] Aleksander Jackiewicz wrote that though he found the film to lack a hint of a shadow on the picture of those times to make it truly authentic, as clearly People’s Poland could not include peasants who were not successful, even so one could find in it “a tiny bit of authenticity that was absent from the works of other directors”.Read More »
Synopsis:
Two men and a woman meet in a Moscow bar and weave extravagant lies about their lives and professions, setting in motion a ruthless, relentless three-lane journey into the dark, secret corners of modern Russia.Read More »
As the woman he loved lay dying, the former suitor swore to protect the child of the other man, just killed in battle. The baby grown to womanhood, the man’s love for the mother was felt again, but a stranger claimed the girl’s love. So the man with his trust left for the far Northwestern country and joined in the government wars against the Indians. There again he met the life which he had sworn to protect. How well he succeeded, the returning young husband could most appreciate, after one of the most deadly massacres and Indian battles of the period.Read More »
A young woman’s peaceful existence is shattered when she is abducted by the crew of a boat of smugglers, who then also turn against their captain.Read More »
Quote:
At the Eisenhüttenkombinat Ost an der Oder, a new blast furnace is being moved to replace a burnt-out one. 2000 tons have to be moved 18 meters: Three times we hear it in the commentary. Master Klaus is now in command. His orders are to be obeyed at all costs. Men at work: tense faces, examining hands, the sound of screeching winds and steel cables stretched to breaking point. Everything is going well, and it is a new best performance: The downtime of the plant has been reduced from 80 to 40 days, the commentary says.Read More »