In Asakusa, Tokyo, a couple of a violinist Yamano and a revue dancer Hanae lives in poverty. One day Hanae’s little sister rolls into their apartment and begins to stir things up with her riotousness.Read More »

Quote:
At age 50, Eugene Green — who left the U.S. in 1969 to settle in France — proves himself to be the mutant offspring of Robert Bresson and Manoel De Oliveira. First-time scripter-helmer’s exquisite oddity, “Every Night,” shows complete mastery of the austere, formal tradition perfected by his elders, but he makes it his own with bursts of satire and an insistence on crispy anachronistic diction that solemnly honors every last consonant. Pic has been holding its own at the oldest functioning arthouse in Paris since its publicity-free March 28 release, which was announced only via give-away postcards.Read More »

Quote:
Dog Days is an incredible film, though what it has to offer will certainly not be appreciated by every viewer. This is not to be meant as condescending – I simply mean not everyone will enjoy Ulrich Seidl’s aesthetics which have more than a little in common with Von Trier’s Domga 95 movement. Though Seidl doesn’t explicitly articulate his aesthetics the way Von Trier does, it features the same sense of realism. The characters are mostly non-actors wearing their own clothes and without makeup (except where diegetically necessary). The acting is very raw with many scenes calling for displays of intense emotional pain. There is no non-diegetic music. The film is shot entirely with hand-held DV. The film is, however, very aesthetically appealing. There are many beautiful, sun-drenched compositions, even if all the characters are sweating!Read More »

Sakiko returns home to care for her mother, who is dying of cancer. What she doesn’t expect is that she will come to discover the existence of her father, the truth of which her mother has concealed for many years. Going through her mother’s box of love letters, she decides to go Tokyo to seek out her father. Her hope is that she will be able to fulfill her mother’s last wish before it is too late.Read More »

Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.Read More »

Draughtswoman Nathalie Baye moves to Paris. This is the tale of her sad encounters and experiences, and the dignity she retains.
Aside from the subdued and true-to-life quality that Claude Goretta’s movies share – in my opinion – with his fellow Swiss Alain Tanner, this is a deeply emotional and depressing film. Nathalie Baye is – as usual – incredibly beautiful, moving and convincing.Read More »

Either you’ve got it or you haven’t – some like randy young Timothy Lea (Robin Askwith), manage to get it all the time! Signing up with a pop group, our boisterous hero progresses rapidly from local gigs to scoring a titillating hit with The Climax Sisters, with plenty of ribald adventures along the way!Read More »

Two neighbors who have always lived in poverty, are witnesses to a plane crash and decide to take everything they find valuable among the dead. They begin to experience greed.Read More »

Quote:
‘The Dislocation of Amber’ was filmed in the city of Suakin, a formerly flourishing port in Sudan, now in ruins. Its history is one of famine and opulence, devastation and progress, rich trade and damage, and colonialism. Shariffe used symbols to accentuate a sense of desertion and alienation hinted at in the title. This surreal masterpiece of Sudanese cinema features poems sung by the late Sudanese singer Abdel-Aziz Dawoud.Read More »