
A glimpse of the Transnistrian conflict through the eyes of people who lived in that place at that time.Read More »

A glimpse of the Transnistrian conflict through the eyes of people who lived in that place at that time.Read More »


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Death’s bells toll in tune to the march of war. On top of devastating losses, espionage also cripples General Müller’s army. Young Lieutenant Charley is entrusted with the delivery of Dossier 15, a document of utmost importance to the war effort. After a dangerous journey through enemy territory, Adjutant Bertram betrays him – it turns out that he’s spying for the enemy. Bertram replaces Dossier 15 with a worthless piece of paper which leads to Charley’s arrest. Charley must escape to avoid execution and expose the spy.Read More »


Three daughters have graduated from the music school and have gone their separate ways. On the day of the outbreak of war, the three girls meet again for the first time since their graduation ceremony.
This film was made at the end of the war to promote the military song “Song of the Annihilation of the United States and Great Britain” and to raise the will to fight. It was made in 1945. There are some expressions in this film that would be considered inappropriate today, but in light of the historical value of the film, they have been omitted.
Because the original film and the video master are old there are some parts which are unsightly and some parts are missing. Thank you for your understanding in advanceRead More »


Chocolate and Soldiers (チョコレートと兵隊, Chokorēto to Heitai) is a 1938 Japanese war film directed by Sato Takeshi and one of the most effective Japanese propaganda films of the late 1930s. The American director Frank Capra said of Chocolate and Soldiers “We can’t beat this kind of thing. We make a film like that maybe once in a decade. We haven’t got the actors. It shows the common Japanese soldier as an individual and as a family man, presenting even enemy Chinese soldiers as brave individuals. It is considered to be a “humanist” film, paying close attention to the human feelings of both the soldier and his family. Cinema theorist Kate Taylor-Jones suggests that Chocolate and Soldiers provided “a vision of the noble, obedient and honourable Japanese army fighting to defend the emperor and Japan.” (from wikipedia)Read More »


A Fascist pilot, Lt. Gino Rossati (Massimo Girotti), is flying a bombing run from Italy to Greece in the early spring of 1941. He is shot down by British aircraft and becomes a prisoner of war, first of the British and later the Greeks. In one of the prison camps, he falls in love with Anna (Michela Belmonte), the teenage daughter of an Italian doctor. During a bombardment by the Italians, he is able to escape by stealing a British plane. He returns home, although wounded, and lands in time to hear the reports of Greece’s surrender.Read More »


Cottage to Let is a taut British wartime spy thriller, laced with moments of genuinely hilarious comedy. The “maguffin” in this instance is a revolutionary new bombsight, designed by inventor John Barrington (Leslie Banks). A group of Nazi spies intend to steal the blueprints for the invention (hence the film’s alternate title Bombsight Stolen), and to that end dispatch one of their top agents (John Mills), who parachutes into the story posing as wounded RAF pilot Lt. Perry. Hailed as a war hero by the gullible locals, Perry rents a cottage from the unsuspecting Barrington and his wife (Jeanne de Casalis). The treacherous Nazi meets his match in the unlikely form of oafish Charles Dimble (Alastair Sim), who turns out to be a British undercover agent.Read More »


A chronicle of events that led to the British involvement in the Crimean War against Russia and which led to the siege of Sevastopol and the fierce Battle of Balaclava on October 25, 1854 which climaxed with the heroic, but near-disastrous cavalry charge made by the British Light Brigade against a Russian artillery battery in a small valley which resulted in the near-destruction of the brigade due to error of judgment and rash planning on part by the inept British commanders.Read More »


In what must be the longest lapse of time between a film and its sequel, 70-year-old Abel Gance continues his nearly legendary, 1927 historical drama Napoleon with this tale of Napoleon’s life after his victories in Italy. The first half of Austerlitz delves into the private life of Napoleon Bonaparte (Pierre Mondy), the prodigal son of Corsica. The supreme commander of the French armed forces goes about his family life and dallies with Josephine (Martine Carol) and mistress Mlle. de Vaudey (Leslie Caron). He occasionally displays bursts of temper that presage some of the macho violence of the battle scenes in the second half of the film, after Napoleon has proclaimed himself Emperor. This sequel shows that Gance has not lost his directorial touch. ~ Eleanor Mannikka, All Movie GuideRead More »


The war has ended leaving a deep trace in people. Going trough a different conflicts in the first days of peace – dealing with a former enemy’s collaborators and executing traitors – a former soldier continues with killing even in peace.Read More »